"The Other" In The History Of Chinese And Foreign Dance Exchanges ——A Case Study Of Zhao De Xian

"Other" was originally a concept in the post-colonial context,which once meant "alien,non-national and pejorative aggressor".With the breadth of the research perspective,its connotation has also changed,and now it mostly involves the identity and identity of cultural studies.This article is based on the particularity of the object of study and the overall cultural studies perspective,the postcolonial theory and "the other" in the study of intercultural fusion,the concept and research objects and abandon the traditional research on "the other" derogatory sense of identity and repellency,and standing on the position of cultural exchange and transmission of the acceptance,to reiterate the importance of "the other",This paper tries to analyze the specific "people in culture" from the perspective of cultural identity and transformation.In the middle of the 20 th century,western ballet,which started in Harbin,China,is one of the most striking examples of the early cross-cultural communication of dance in New China.In learning and learning from the Soviet Ballet,the new Chinese nation and classical dance broke out one after another,and watered the fertile soil of "we" with the nutrients of "others".The characters and events in these are the historical proof of the existence of cross-cultural communication and communication of early dance.Among them,Zhao Dexian is one of the important cultural ambassadors from ballet to folk dance.Zhao Dexian is one of the earliest dancers in new China to learn,teach and disseminate western ballet.He was born in Pyongyang,North Korea in 1913.In the late 1930 s,he went to Harbin,China to study ballet,and then settled down in China,taking Yanbian as the main base,engaging in the creation,teaching and theoretical research of Korean dance with a global perspective.In nearly half a century of dance career for the Korean dance and the establishment of the whole dance discipline system have made important contributions.In this paper,a case study is carried out from multiple perspectives and theoretical analysis,in the cross-cultural perspective,combined with communication,sociology,anthropology and other cross methodology.Paper three chapters altogether,chapter one mainly for the study of the external context: the external environment as a view of "the other" analysis,in order to to delve into its early art career,and through the literature research,the objective historical analysis to excavate its individual activity and identity change original process-as "the other" early artistic experience and for its many potential factors that affect the.The second chapter is the internal research: it mainly explains zhao Dexian’s creation,teaching and theoretical research in the field of Chinese Korean dance,and makes an in-depth review of the changes of the field of "the other" through the transformation of trans-regional identity,and then takes his artistic activities as a clue to explore the formation of his dance theory,creation thought and artistic view.The third chapter is macro value analysis: it analyzes the significance and value of Zhao Dexian’s unique "other" identity in the history of cross-cultural dance communication and communication in the early stage of New China,and tries to clarify the essence,rules,experience and value of dance in cross-cultural communication and communication.This thesis not only tries to under the contemporary theoretical paradigm to build a new Korean dancers of case study,and through the analysis of a particular experience of "the other",to clarify the problems in the past and contemporary dance exchange and transmission,the present situation and the future,make up for historical research,restore Mr Zhao to xian in the contemporary value and status in dance history research.