| China’s contemporary ceramic art has become a new and active art category in contemporary art.Contemporary ceramic art has formed a good basic environmental condition of openness and compatibility.Based on the development of ceramic art,graphic design language has not only helped and promoted ceramic art,but also had an impact on domestic traditional ceramic decoration.The traditional art decoration language has gradually failed to catch up with the aesthetic pace of contemporary ceramic art.When the traditional graphic design language develops into a more contemporary art,and then joins the three-dimensional space of contemporary ceramic art,it produces a new aesthetic spark and expands more possibilities,thus forming a new artistic expression and a new aesthetic,breaking the limitations of traditional ceramic art decoration.The article focuses on the expressive force of plane decoration language on China’s contemporary ceramic art.This paper has four chapters.The first chapter expounds the transformation process of world art concept and its catalytic effect on contemporary ceramic art,which affects the transformation performance of domestic creative ideas.The second chapter mainly analyzes China’s traditional ceramic decoration culture,summarizes its performance characteristics,and then compares contemporary ceramic art to refine the cultural elements contained therein;The third chapter analyzes some contemporary works with graphic design language at home and abroad,and summarizes the innovation and artistic characteristics of contemporary ceramics;The fourth chapter is the combination of personal works,the use of graphic decoration language in the expression of contemporary ceramics for practical creation. |