On The Experience And Embodiment In Drama Performance Creation ——Take Jin Linggong’s Character Modeling In The Drama "2021 Zhao’s Orphan’s Revenge" As An Example

In the performing arts of theatre,the relationship between experience and embodiment is a very important issue.When we think about how to create and how to shape characters,we must first clearly recognize and understand this issue.The famous performance artist and dramatist Mr.Jin Shan once put forward: "Without experience,there is no way to reflect;if there is no embodiment,why experience it;if the experience is deep,the embodiment must be refined;It clearly reveals the interaction between the two,which is the dialectical unity relationship between the inside and outside.Experience is the basis of embodiment,and embodiment is the purpose of experience.This article takes the role of Jin Linggong in the graduate drama "2021 Zhao’s Orphan’s Revenge" as an example,and expounds one by one from the three stages of actor modeling: in-depth understanding and analysis Script and characters;experience the content and ideological connotation of the work,the relationship between characters,and the character of the characters;through a series of creative techniques and methods,the actor’s experience is fully reflected in the creation of the stage image,and how the actor can achieve the correct experience is discussed in detail with accurate representation.