Chinese mural art and the development of public art in the age of complicated blending of culture,art form theory of various kinds are springing up constantly and update,in the face of such situation,not only to various art and multi-cultural development,more needs to be in the history of ancient Chinese outstanding monument and memorial space mural works produced by extracting inspiration and learn from experience or public art projects.In the long development process of Chinese traditional mural art,the murals of the Ming Dynasty Fahai Temple are famous for their exquisite,meticulous,beautiful and other artistic characteristics,as well as the rich and profound essence of religious art.This article is mainly based on the study and research of the wall paintings of Fahai Temple in the Ming Dynasty,and pick out the distinctive artistic style features.The thesis is divided into five parts,the first part is the introduction to explain the research status of the Fahai Temple frescoes in the Ming Dynasty and analyzes the problems they contain.The second part is an overview of the frescoes of Fahai Temple in Ming Dynasty.The third part,the characteristics of public art disciplines.Conduct cognitive research on public art disciplines from a macro perspective.The fourth part examines the wall paintings of Fahai Temple in the Ming Dynasty from the perspective of public art.Based on the first two chapters,it proceeds to a concrete analysis of the characteristics of public art in the frescoes of Fahai Temple in the Ming Dynasty.The fifth part,provides a reference and benchmark value for modern public art.Expectations through "past" and"process of two kinds of visual Angle,who try to summarize the Ming dynasty temple murals to provide reference for the development of Chinese modern public art and reference value,and to derive the beneficial nutrients,to the feelings of the traditional,found that the traditional,learning the purpose of inheritance,butt joint of traditional mural art and the modern new ideas with fellow. |