| The bronze mirrors of Song,Yuan and Ming Dynasties have not been paid attention to by the academic circles.In addition,the unearthed materials are sporadic,which makes it difficult to collect.Therefore,there is a lack of overall grasp of its overall space-time framework,and the discussion on its regionality is relatively weak.During the Song,Yuan and Ming Dynasties,the southern region had strong continuity in cultural tradition,so its development context of bronze mirror was also relatively clear.This paper carefully investigates the evolution of each type of bronze mirror unearthed in the Song,Yuan and Ming Dynasties.It is divided into nine periods according to the unearthed bronze mirrors with a clear age,and divided into four regions according to the unearthed location.It attempts to analyze the changes of bronze mirror pattern combination and its popular style in each stage and region,in order to construct the temporal and spatial framework for the use of bronze mirrors in Song,Yuan and Ming Dynasties in southern China,and discuss the historical background of the formation of this framework in combination with literature material. |
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