Mozart,as one of the famous composers in Europe,created many popular works in the classical period.In his brilliant artistic life,he made great achievements in opera,symphony,Concerto and other fields and became a leader in the field of art.Compared with other works,Mozart’s achievements in the field of Concerto are obvious to all in the world.Mozart’s Violin Concerto innovates the traditional musical form and creates works with personal artistic style,leaving precious and bright wealth for the string art history of the whole world.Although the spectrum of Mozart’s Violin Concerto is not complex,there are many changes in the style of his works in the performance process,which makes it difficult to grasp when playing.Therefore,it has high requirements for the player’s ability,so that we can accurately grasp the sense of propriety in the performance process through personal ability,so as to show the profound connotation of the work.Based on the third movement of Mozart’s Violin Concerto No.5 in a major,this paper analyzes the music characteristics and performance technology of the third movement,combines the existing literature,combines the combed theoretical knowledge with performance practice,and systematically expounds the Violin Concerto No.5 in a major from multiple angles.On the one hand,this paper analyzes the melody characteristics and structure of the third movement from the perspective of musicology,so as to lay a solid foundation for grasping the artistic style of this work.On the other hand,this paper analyzes the performance technology,introduces the relevant skills of the third movement,and solves the problems encountered in the performance process,so as to provide theoretical support for the follow-up performance practice.Through the research of this paper,we can not only grasp the emotion contained in Mozart’s work,but also understand the musical image embodied in it;It also has a certain understanding of the various performance techniques needed,which provides a useful value for the subsequent performance of this work. |