A Study On The Color Of Domestic Films From The Perspective Of Violence Aesthetics

This paper studies the film color of Zhang Yimou’s directorial works from the Angle of violence aesthetics.The purpose is,first,from the Angle of violence aesthetics,can carry on a more profound analysis of the film color,explore its significance,form of expression and color image,and provide a new perspective for the study of color and violence aesthetics in domestic films.Second,in zhang yimou’s film works,violence and film presents a more colorful aesthetic imagery,zhang yimou as the fifth generation of filmmakers,deeply from the springs of China Oriental aesthetics,the film has been hailed as a "banner" of Chinese film,to select the sample works of zhang yimou,To explore the outstanding contribution made by the color of domestic films to violence aesthetics,which is more representative.What types of film colors can be divided into from the perspective of violence aesthetics?Does the diversity of film colors have a certain effect on the violence in the film?What are the characteristics of its digestion mode?What is the meaning and connotation of such color expression?With the above questions,the author adopts literature research method,comparative research method,case study method,empirical research method and interdisciplinary research method to carry out the research of this paper.This paper based on film color,violence aesthetics,color science,psychology and other related theoretical research,standing in the perspective of violence aesthetics to make a profound interpretation and analysis of domestic films.In this study first of all,this paper focuses on the key concepts of parsing,which about the violence in the movie the research scope of aesthetics,the author puts forward a new point of view,the violence aesthetics of violence should be included physical violence,verbal violence,emotional violence,such as type,it also expanded the research scope of film violence situation in colour.Subsequently,based on the definition of core concepts,this paper further discusses the meaning and classification of film colors from the perspective of violence aesthetics.Film color classification is one of the innovation points of this paper,which divides film colors into visual colors,auditory colors and personality colors.Secondly,based on the above three kinds of color film classification,the violent situations in the works of zhang yimou film film color expression parsing,induction and summary,the research on auditory colour and character color is characteristic of this article,the film color expression of violence aesthetics with the multidimensional nature of the figurative and abstract characteristics.Finally,this paper focuses on the analysis of the color image in the expression of violence aesthetics,and explores its cultural and ideological connotations.The biggest innovation of the research content of this paper lies in the research on film color from the new perspective of violence aesthetics.The core and focus of this paper is to divide film color into three categories: visual color,auditory color and personality color,and the discussion on film color becomes more subtle and comprehensive.Through analyzing the color meaning,color expression and color connotation of the three kinds of colors in violence aesthetics,we can see the Chinese cultural temperament in the color of domestic films.From the perspective of violence aesthetics,the color of domestic films not only dispels violent acts through the artistic form of color expression,but also completes the thinking and release of violence through the emotional link with the audience.