Research On The Creative Practice Of The Original Dance Work "The Story Of The Walled House"

Gannan Hakka traditional culture is a concentrated expression of the integration of Hakka traditional thought and cultural materialization,represents the life aesthetics and needs of Gannan people,and shows regional characteristics,elegant demeanor and humanistic spirit.This paper takes the author’s original dance work "The Story of the Walled House" as the research object,from the point of view of the creative practice of the dance choreographer.In the process of artistic creation,the works have an in-depth understanding of the traditional cultural background of Gannan Hakkas through style collection,on-the-spot investigation and investigation of non-heritage project successors.Based on the choreographer’s thinking,the creative practice of the dance work "the Story of Walled House" closely revolves around the Hakka elements captured in Gannan Hakka walled houses and the core elements of non-heritage projects,and fully retains the cultural carrier of Hakka elements.At the same time,this paper attempts to take the stage communication as the window,through the use of dance works to distribute the charm of Gannan regional culture,further carry forward and protect the Hakka heritage,and inherit the excellent traditional culture.Based on the perspective of dance choreographer,this paper makes an analysis from three parts: the introduction,the text of the thesis and the conclusion.The introduction part expounds the research purpose and significance,research status,research difficulties,main problems and research methods of the original dance work "The Story of the Walled House".The main body of the paper makes a concrete analysis from three aspects: the overview of the original dance work "The Story of the Walled House",the creative practice of the work and the extension of the creative practice.First,in the overview of the dance work "The Story of the Walled House",it mainly focuses on the creative background and the main content of the work.Second,telling the creative practice of the dance work "The Story of the Walled House" from the author’s creative ideas and the specific practical application of the elements in the work.The last part is the author’s thinking from three aspects: the use of life materials,the importance of sister art and the inheritance of Gannan Hakka culture,combined with the creative practice of the dance work "The Story of the Walled House".