The Study Of Li Tuo’s Views On Literary In The 1980s

The 1980s was an era of vigorous development of literature and an era full of changes.Li Tuo is an in-depth participant in Chinese literature and art,as well as an important witness to the changes in literature in the1980 s.This article takes Li Tuo’s literary activities as the research object,mainly including his review articles,interviews,dialogues,prefaces and postscripts,etc.,through combing Li Tuo’s important literary concepts and his views on the development of Chinese literary and artistic development,and grasping his literary thoughts and spiritual world.In order to clarify Li Tuo’s literary concept,this article is divided into six parts:The introduction part explains the reasons and feasibility of the topic selection of the whole thesis,combs the main research status at home and abroad,and clarifies the research ideas of the thesis.The first chapter combs and introduces Li Tuo’s basic views of literature from the essence of literature.Literature is a kind of conscious language art,and the change of language is bound to trigger the evolution of literature.The identity of a minority writer makes Li Tuo sad about the loss of ethnic culture,but he sees hope in literature.He believes that literature originates from life and is also an artistic existence that records national historical and cultural forms.In addition,Li Tuo also said that literature is "naive" and he always has expectations for literature.The second chapter discusses Li Tuo’s creation view from the two dimensions of creation subject and creation method.As far as the subject of creation is concerned,it is necessary not only to have rich theoretical accumulation and depth of thought,but also to boldly try literary creation techniques,seek innovation,and pursue new ideas for literary creation while inheriting and learning from traditional literary expression techniques.Li Tuo himself also paid great attention to innovation and breakthrough in creation,trying to find a new possibility for the development of literature.Chapter Three Li Tuo’s work theory is the continuation of his creation view,and also the external manifestation of his essence theory.This chapter interprets Li Tuo’s work theory from two aspects of literary image and work composition.The shaping of literary images is an inevitable problem in the innovation of novel creation techniques and the exploration of literary forms.Art form is an important component of literary works,and the relationship between work form and content is also one of Li Tuo’s concerns.In his view,literature and art,whether in content or form,are facing a breakthrough.The fourth chapter mainly discusses Li Tuo’s literary criticism.Li Tuo’s literary criticism has a clear enlightenment posture and idealistic spirit.In his critical articles,he also practiced his literary ideals and artistic pursuits,trying to use his own criticism as the direction of literary development,and attempting to counter the market’s invasion of literature and art with an idealized literary activity.The conclusion part summarizes Li Tuo’s literary thought as a whole.This article analyzes Li Tuo’s literary concepts and spiritual world from four aspects: essence,creation,work,and criticism.Li Tuo’s literary ideas in the 1980 s have witnessed and promoted the changes in literature and art in the new era.Li Tuo’s literary concept is also a window for us to look back at the phenomenon of literature in the 1980 s.Looking back at history through the eyes of critics is also an important way to explore the development and transformation of literature,and Li Tuo,who is also an author and critic,may be able to bring us some new ideas in the collision of critics’ vision and writer’s thinking.Experience.