Yang Kui And Liang Shanding’s Literary Exploration Of "National Subjectivity" During The Anti-Japanese War

During the War of Resistance against Japan,Japanese imperialism tried its best to construct the wartime system and implement the strategy of "Great East Asia ",and Taiwan and Northeast China,which were the strongholds of " southward " and "northward ",were unified.As a result,the literature of the colonial Taiwan and the pseudo-Manchuria countries has a context of mutual comparison and connection.On this basis,the author finds that the colonial Taiwanese writer Yang Kui and the pseudo Manchukuo writer Liang Shanding have the rationality of mutual reference in the aspects of creation interval,creation turn,creation idea and creation strategy.However,at present,the academic circles have not systematically compared the literary creation of Yang Kui and Liang Shanding,and there is a certain degree of intolerance in the study of the two writers: the study of Yang Kui’s literary creation in the period of Japan will mainly focus on the category of "left-wing literature" to discuss and locate the position of his literary history,while the study of Liang Shan Ding’s literary creation in the period of pseudo-Manzhou mostly focuses on the "local literature" perspective.In view of this,the paper adopts the method of comparative study,based on the context of "Anti-imperialist and Anti-japanese" and the concept of "national subjectivity ",to restart the study of Yang Kui and Liang Shanding’s literary creation from 1932 to 1945,to break through the single research thinking of "left wing" or "native land" in academic circles,and to explore how they overcome the resistance and skillfully voice through literary creation in the face of the changing colonial unification policy of Japanese imperialism.Finally,the reconstruction of national subjectivity is completed.While comparing and analyzing the literary exploration process of Yang Kui and Liang Shan Ding’s "national subjectivity ",we try to understand their literary creation forms more comprehensively and systematically.Then it leads to the orientation of the literary history of the two writers and the significance of this literary exploration.The first chapter mainly discusses how Yang Kui and Liang Shanding open the first step of the literary exploration of national subjectivity.First of all,the concept of "national subjectivity" in the context of the unification of "Anti-imperialist and Anti-japanese " is defined,and on this basis,the formation of the consciousness of "national subjectivity" of the two writers is discussed.And accept the new literary thought after the beginning of literary exploration.The second chapter mainly discusses the literary exploration made by Yang Kui and Liang Shanding in 1932-1937 to reshape the small and weak national subjectivity.First of all,the two writers discussed the popularization of literature and art under the trend of left-wing literature in their respective regions,established the creative position of "for the masses" and explored the creative method of "catching the masses".This paper analyzes how to expose the expansion plot of Japanese imperialism in China to construct a south(Taiwan)and a north(pseudo Manchukuo)stronghold in the context of mass suffering,and how to express the struggle of the proletariat in the context of imperialism.To establish the small and weak national subjectivity in order to achieve literary breakthrough of colonial politics.The third chapter mainly discusses the literary exploration of Yang Kui and Liang Shanding to reshape the subjectivity of the Chinese nation from 1937 to 1945.First of all,after the fall of left-wing literature,the two writers chose to respond to the national discourse of "local realism" in the face of the integration of Japanese imperial culture during the period of the War of Resistance against Japan.This paper investigates how to break the imagination of "great East Asia co-prosperity" of Japanese colonists through the literary writing of "face from the back ",and how to construct the national cultural device to realize the publicity of the subjectivity of the Chinese nation.On the whole,Yang Kui and Liangshan Ding’s literary exploration mode of "national subjectivity"(from "subjectivity of the weak nation" to "subjectivity of the Chinese nation"),In literary form presents binary variations of "anti-humus literature" and "humization literature",It covers the mixed ecology within the East Asian colonies;In the sense of the history of the War of Resistance,Neualizing the conflict and tension between left / class and nation,Enlightenment and traditional discourse,At the same time,realize the spiritual linkage and resonance between East Asian colonies(colonial Taiwan and Manchukuo),From the political and cultural layers,condensed and formed the consciousness of the "community of shared future" during the anti-Japanese and Japanese period,It has a helping role in the construction of the East Asian colonial Anti-Japanese National Unity Front that cannot be ignored.