The Fighting Game Role Design Of Chu State Phoenix Totem In Spring And Autumn And Warring States Periods

Phoenix,as a symbol of good luck in traditional Chinese mythology,is also known as the king of birds.It is regarded as the existence next to Dragon by ancient kings,and has been handed down since the end of Ming Dynasty.This paper focuses on the people’s worship of Phoenix in chu states during the spring and Autumn period and the Warring States period.It analyzes the cases that the ancients used the elements of wind totem in their lives.It takes this as a reference to make full use of the cultural heritage of "Chu Phoenix" in the role setting of the game.Ihis paper will set up a basic world outlook and choose from the major events in the history of Chu Choose the main characters to put forward the design scheme.After analyzing the current situation of game design at home and abroad,this paper summarizes the design style suitable for the development of modern games.In terms of the current development trend of the game,the form of innovation in the game industry emerge in endlessly,from the classic pixel painting style to the realistic style:from the original 2D drawing to the 3D modeling:even the form of game play has changed,which can give players more opportunities to experience glamour of video games.The types of game character design also constantly promote new,modern mainstream role design mainly has the following categories Japanese cartoon,realism,doomsday,science fiction,Chinese traditional fantasy style and so on.In the above types of design styles,the main one that can be applied to the Chinese traditional totem is the mysterious style of Chinese traditional ancient style.Obviously,the traditional elements are easier to highlight the unique and special charm of Chinese traditional culture,but they will also be relatively single and litmited in the of expression.In addition,due to the immaturity of the early game character design in China,the expression usually pays too much attention to the form and ignores the essence of Chinese traditional culture,while most of the early Chinese game companies only gain their own interests under the guise of Chinese culture,but in fact they do not dig deep into the essence of Chinese culture:as a result,such games lack cultural support and depth,which is beneficial to the players The impact of dimensionality reduction makes it lack of the desire for cultural cognition and learning.Therefore,it is the responsibility and ambition of our game character designers to make the traditional culture present to the players through the integration of totem,elements and allusions,the interaction of games and the accurate expression of emotional content.According to the existing records of the state of Chu in the Warring States period,based on the traditional Chinese style,the characters,costumes and totems of the state of Chu in the Warring States period are restored.At the same time,the modern and historical stories are interwoven from the perspective of modern science and technology.Not only let players have a modern sense of substitution,but also can go back to the historical origin to understand the traditional Chinese culture.In this paper,according to the game player’s aesthetic needs of the origin of the game,the main characters of the game are analyzed.