A Study On The Social Participation Of Modern Guqin In Shanghai ——Centering On The Historical Materials Of Ancient Qin In Shenbao

From 1872 to 1949,Shen Bao witnessed and recorded the tortuous and complex development of Chinese society since the late Qing Dynasty.It is an important historical document for the study of modern Chinese history.The historical materials of Qin studies published by the journal run through the publication of Shenbao,covering topics such as Qin people,Qin clubs,Qin poems,radio stations,public performances,music reviews,enrollment and sales.On the whole,the historical materials of Qin studies reported that the modern and contemporary ancient Qin culture in Shanghai presents the main body of Qin studies practice,from traditional Qin people to modern intellectuals,from Piano Club elegant collections,social performances to radio broadcasting,and the discussion of Qin thoughts and concepts,from the exchange of performance techniques Social atmosphere discusses the process of social participation in the improvement and revival of Guqin music.Therefore,it is slightly different from the concept of traditional Qin learning entering the modern age discussed by the academic circles.The collision between "tradition and Modernity" and the socialization phenomenon under the collision have been seen before the founding of the people’s Republic of China.Therefore,this paper takes the social participation of Guqin as the logical main line and analyzes the original historical materials.Under the influence of the four relationships between ancient and modern,refined and vulgar,China and the west,politics and music,Shanghai modern Guqin culture,From the reported piano practice activities to the main body of piano culture leading various piano practice activities in the report,and then to the change process of piano thought and concept to promote the main body of piano culture to realize piano practice activities.At the same time,combined with rice’s three-point model of "personal creation,social maintenance and historical composition",this paper discusses the participation and acceptance of the main body of piano culture from the three contexts of communication,sociology and history The historical and cultural elements of Shanghai People’s living in different places,and the process of seeking materials from the historical and cultural elements of Shanghai People’s living in modern times.