| As a translator and poet,Bian Zhilin’s poems are regarded as "extraordinary in prosaic"and "the beauty of speculation." Although the number of his poems is small and the length of most of them is short,the poet thinks that he is a "petty skill," but in the history of the development of new poetry,especially in the 1930s,the modern turn from "love poems" to"wisdom poems," Bian Zhilin,however,has played an important role and produced a noticeable influence.Therefore,the author believes that the "modernity" of Bian’s poetry should be paid special attention and emphasized.The first chapter mainly discusses how Bian Zhilin formed his idea of modernity based on tradition.In the process of his own literary practice and theoretical thinking,the poet gradually formed his own view of modernity.Facing the problem of what kind of attitude should be adopted in the face of tradition,no matter writers,critics or researchers can really escape;Bian Zhilin has a good traditional culture.He neither chooses "separation" nor"adherence.”Instead,he draws inspiration from the tradition and moves towards a fusion of modernism under the guidance of the western trend of thought.In this sense,the "obscure"defense of Bian ’s poems is no longer regarded as a critical statement,but as a poetic idea leading to modernism.The second chapter explains the modern characteristics of Bian Zhilin’s poetry from the perspective of image,words and artistic conception.In the aspect of imagery,there are the desolate ancient city influenced by Eliot’s consciousness of "wasteland," the "gray" crowd of callous modern society,and the scene of decaying and desolate modern China,which make the poet have no choice but to act as a "brooding youth."In terms of artistic conception,the tension caused by the pressure of context to explain Bian Zhilin’s modern"artistic conception" poetics is an important symbol of the modernity of Bian’s poetry.The third chapter discusses Bian Zhilin’s "dramatic" poems,which are important characteristics of modernity.It includes the monologue and dialogue as the voice of drama,as well as the discussion of drama structure as a writing technique,involving the close reading of Bian Zhilin’s specific poetry.In the second half of the content of the microcosm,"demonstrative fiction" and other issues,as a supplementary thinking of Bian Shi’s dramatic proposition.The fourth chapter focuses on Bian Zhilin’s "anti-lyricism" strategy in poetry writing.Firstly,it discusses the impersonal characteristics reflected in his "feeling poetry" and"intellectual poetry." To draw a conclusion that the poet’s "coldness" actually comes from the character of "shyness";According to this characteristic of the poems,this paper further expounds the twists and turns and restraint of Bian Zhilin’s love poems,as well as the different "realm" obtained from them. |
