The Modelling Of Wei Jin Northern And Southern Dynasties Dunhuang Mogao Grottoes Murals Language Used In The Oil Painting Creation

Dunhuang Mogao grottoes is the largest buddhist art site in the world and also a UNESCO world heritage site,where there are brilliant ancient murals and sculptures.This article through to the modelling of wei jin northern and southern dynasties dunhuang mogao grottoes murals in this subject to explore the application of oil painting language,to fix the time line of the mogao grottoes of dunhuang frescoes in the wei jin southern and northern dynasties political upheavals,culture integration period,the period of murals can fully demonstrate the buddhist art was introduced into China after gradually "localization" of the process.The mogao grottoes of dunhuang frescoes in the Chinese traditional culture and west culture collision and fusion of the continuous process,formed a unique artistic style and modelling language,make its elegant show different from tang,song of abstinence rationally,but "central plains" of western region character and style,and reveals the aesthetic meaning with modern painting style.This paper takes the modeling language of the Murals in Dunhuang Mogao Grottoes during the Wei,Jin and Southern and Northern Dynasties as a starting point.Firstly,it reviews the changes and evolution of the modeling in this particular period,and sorts out the changes of different styles with the interaction between the Culture of central Plains and the culture of western Regions in its development process.Then,on this basis,it analyzes the language features of the concrete images in the mural.The author selects representative images such as Buddhist figures,exotic animals and trees and rocks for a more detailed analysis.Is the third part is about the form of modelling language are analyzed,respectively characterized by writing to bottom line,the mystery of color and composition,the spatial distribution of flat,decorative pattern and has the myth that visual perception,the last part is back in the dunhuang murals modelling language forms are reasons,It is applied to his own oil painting creation as a more traceable form of artistic expression.In the process of creation,we should combine our own life experience and feelings,instead of appropriating obscure elements or stiffly combining them with traditional art and culture.In this way,we can deepen the ideology of modern people and inherit the fine traditional Chinese culture in a sustainable manner.