The Research Of Knight-errant Yuefu In Tang Dynasty

The chivalric Yuefu of Tang Dynasty is one of the major subjects of chivalric poetry in Tang Dynasty.However,the current academic research on the chivalric poetry of Tang Dynasty is more inclined to the overall study,which to some extent ignores the dominant position of the chivalric Yuefu of Tang Dynasty.As far as the research on the theme of Yuefu of Knight-Errant in tang Dynasty is concerned,although the predecessors have made many gratified achievements,they are generally scattered and cannot form a complete research system.In view of this,this paper tries to make a systematic study of the Knight-Errant theme Yuefu in the form of a special topic,in order to make a contribution to the study of Knight-Errant theme Yuefu in the Tang Dynasty.Based on the existing data,this paper finally forms a systematic research topic with the new changes in the creation of the ancient topic,the generation of the new topic,the Knight-Errant theme Yuefu and the style and style of the Knight-Errant theme Yuefu as the core.In the introduction part,it mainly defines the concept and scope of chivalry as well as collates and analyzes the existing related researches.The first chapter of this paper analyzes the new changes in the creation of the ancient Yuefu theme of chivalry in tang Dynasty,which are mainly reflected in three aspects: first,poets are more individualistic in expressing their aspirations through chivalry;Second,poets paid more attention to the independent consciousness of the ranger;Third,the poets performed multi-level interpretation on the basis of the previous romantic chivalrous feelings.The second chapter explores the emergence of chivalry Yuefu in tang Dynasty.These new chivalrous Yuefu titles mainly include "Juvenile" series and "Xia Ke Xing" and "Xia Xia Xing".The new title of "Young" series is mainly produced in the fierce chivalrous wind,the young become the main body of Ren Xia;The last two questions mainly focus on the poet’s spirit of achievement.The third chapter mainly analyzes the chivalry writing of six non-chivalry yuefu ancient titles: Purple Monkey Horse,Longtou Yin,Slow Song Line,Wandering and hunting chapter,Light and Light Chapter,and Exit.There are two main purposes for poets to write chivalry: one is to use chivalry to express their fame and ambition;the other is to use chivalry to discuss their value orientation.The fourth chapter describes the style and style of tang Dynasty chivalry yuefu theme.First,when poets write in quatrains,they usually focus on a typical chivalrous line.Secondly,when poets write in the standard style,they often depict the blur of the picture.Finally,when poets write in ancient style,they usually depict chivalrous feelings galloping from both vertical and horizontal dimensions.The conclusion part is mainly to sort out and summarize the article,at the same time clear the shortcomings of the article.