The research on this article has been a puzzle for the author for a long time.In the early Song Dynasty,Huang’s painting style,which is similar in shape,careful in observation,richly carved and exquisitely detailed in style,was mainly promoted in the painting academy until the Southern Song Dynasty.Flower-and-bird painting into the Yuan Dynasty,the artists will no longer be in love with colorful,exquisite courtyard flower-and-bird painting style,ink-and-ink birds,literati ink flower-and-bird has become the mainstream of this era.Why is this “Evolution”happening? This paper discusses the phenomenon of such a “Color”change in paintings about flower-and-bird of the song and Yuan Dynasties,starting with its history,cultural background,style features,ideological connotation,and its influence and inspiration to the present time,to delve into this phenomenon.The first chapter puts forward the research center,research methods and significance of this paper based on the existing research on the color change of flowers and birds in the song and Yuan Dynasties.In the second,since the song and Yuan Dynasty flower-and-bird painting is the main color evolution,it is natural to talk about the development of Chinese painting color,so I simply state the evolution of Chinese painting color in various dynasties,citing the color theory in theoretical works.The Third Chapter,discusses in detail the delicate and Gaudy flower-and-bird painting of the Song Dynasty and the flower-and-bird painting in Yuan Dynasty,which is popular in ink painting,and the characteristics of the style of the flower-and-bird painting in the Yuan Dynasty,the author generalizes the change of the painters’ aesthetic taste in color from two aspects: “Painting while painting”and “The pursuit of artistic taste and artistic taste”.The Fourth Chapter based on the contemporary,based on the National Art Exhibition,find the song and Yuan flower-and-bird painting color evolution style reproduction.Compare the past with the present,and seek the shadow of the ancients from the paintings of the present.The fifth chapter,through the combination of a variety of research methods,mining the artistic value of this change,as a guide to my creative practice.In Song Dynasty,people of the Yuan Dynasty stressed the importance of both in painting and calligraphy,which they wanted to achieve in their whole life.The author is a master of practice,and his works draw nourishment from the flower and bird paintings in song and Yuan Dynasties.Qing· Hua is a work of practice,which is the focus of this article.It guides practice with theory and summarizes theory in practice,is the truth of painting. |