An Analysis Of Gliere’s Double Bass Pleces Prelude And Intermezzo

The famous former Soviet composer Reinhold Moritzevich Gliere（1875-1956）had composed a group of "four double bass sketches"（including "prelude","Scherzo","Interconcerto" and"Tarantera"）.In this set of sketches,"The prelude to C major"（op.32 no.1）And the-Concerto in G major（op.9 no.1）Exquisite structure,short space,smooth and beautiful melody,full of singing.At the same time,the use of a lot of changing sounds,full of a sense of flow.Learning and studying the two sketches is good for strengthening the mastery of intonation and learning the skills to play the timbre of the double bass.This paper from the analysis,combined with the development of the genre of the course and the author’s life,the "prelude" and "prelude" from the "four bass sketch",study their emotional expression and creative techniques,explore the two works in the performance of bass timbre,training the player’s pitch,and the value of emotional processing.In terms of structure,this paper mainly includes the clue,the text of three chapters and the conclusion of five parts.The first chapter will introduce Griel’s life and works related to the double bass during his creative career.Chapter second and third chapters will conduct the theme analysis of prelude and Interstinetto respectively,analyze the tone and music of these two works,combined with the characteristics of tonality and song structure to summarize the emotional processing and performance technical points that should pay attention to when playing these two works.