Research On The Application Of Wabi-sabi Aesthetics In Visual Communication Design

This article explains the concept of "wabi-sabi",its formation history and reasons,and explores the emptiness of Zen aesthetics and the functionality of minimalism in the ideological and formal basis of "wabi-sabi aesthetics".Through the comparison and analysis of Wabi-Sabi Aesthetics and Maximalism,searching for their differences and analyzing their connections,the basic characteristics of "Wabi-Sabi Aesthetics" can be refined and summarized.At the same time,through the use of a large number of cases,the works of painters and designers with the style of "wabi-sabi" at home and abroad and from ancient times to the present are analyzed,and the visual graphics,composition,and space expressed in the visual image of "wabi-sabi aesthetics" are analyzed.The structure,color relationship,context and other aspects are analyzed.Finally,it summarizes the demand and value of "Wabi-Sabi Aesthetics" in the application of visual communication design and the expression form of "Wabi-Sabi Aesthetics" in the visual communication design works of different media.Through specific case analysis,the design language and design performance of "Wabi-Sabi Aesthetics" in visual communication design are summarized,and the visual elements suitable for visual communication design are summarized,reshaped and extended,and finally applied to graphic design works.This topic provides a more comprehensive approach to the application of "Wabi-Sabi Aesthetics" in visual communication design,and brings more inspiration.At the same time,it also conducts in-depth research on the application of "Wabi-Sabi Aesthetics" in contemporary visual communication design.It is hoped that through this article,a more systematic design theory will be formed,which will play a positive role in guiding the practice and application of contemporary visual communication design.