| Since the reform and opening up,the domestic economy has been prosperous and the literary and artistic undertakings have continued to develop and innovate.Under the dual influence of the impact of international art and the vigorous development of domestic art,there has been an innovative trend among art practitioners.Many emerging art forms and artistic phenomena have been reflected in the vision of the general public.The term "cross-boundary singing" has been controversial since its appearance in the domestic public.However,the louder the voice of admiration and questioning,the more it proves that this emerging art form is attracting attention and worthy of analysis.As the research object,this article combs the relevant audio-visual materials,papers,and works at home and abroad,and uses the famous singer Wu Bixia as an example to demonstrate the research and analysis of cross-border singing.The field conducts doctrine synthesis,old theories,new proofs,and development of new theories,so as to provide reference for music practitioners,music learners,and amateur music lovers.The thesis consists of four parts:Part 1: Briefly explain the basic concepts of cross-border singing from the source of cross-border singing and the usage habits when entering the country.The second part: Analyze the development history of cross-border singing from the development history of Chinese vocal music and its future popular trends.The third part: Take the singer Wu Bixia’s singing as an example to demonstrate the practical feasibility of cross-border singing by analyzing Wu Bixia’s works.The fourth part: Combining the author’s personal singing practice,put forward the learning method and application method of cross-border singing. |
