The Memory Construction Of Fragments-the Application Of Everyday Elements In Painting

As a visual medium,painting can not only stimulate human visual pleasure and trigger aesthetic behavior,but also,as one of the forms of cultural expression created by human beings,can present the contents of human daily material life and inner spiritual activities.For the painter of painting,one of the important sources of painting content material is daily life.From the depictions of daily hunting in the original cave frescoes,to the passion of the western classic still life paintings for implements and fruits or the collection of ancient Chinese literati paintings,everyday elements can always serve as a kind of evidence of the author’s creation in the presence.After entering into modern and contemporary art,painting creation no longer takes the reproduction of the real world as its sole mission,but pays more attention to the presentation of spiritual and conscious content.Therefore,in the narrative structure composed of image symbols,recalling narrative has become one of the choices of artists.In the post-modern context,time has abandoned the mode of linear narration,but presented in a fragmented and diversified way.Therefore,the construction of memory in the picture is also characterized by fragmentation.Fragmented memory construction needs to be embodied through daily elements in the individual’s view.Therefore,this paper starts from the perspective of daily elements to explore the construction of this everyday.First of all,in the second chapter,the author sorts out the cultural concept of "fragment",and then extracts the role of daily life in memory according to the module model of memory,and excavates the three aesthetic characteristics of daily life in the painting of memory fragment: instantaneity,fragmentary sense and blurring.Daily in the third chapter the author from the pieces of memory element of space construction,the research and the relation between the characters,objects,and the scene for the architecture of memory,they present a four spatial construction: the expression of discontinuity,posture,the implements of the narrative,unmanned,closed space,the latter three respectively represent the scene,character,scene,artifacts and scenes,characters,implements spatial relations.In the last chapter,I return to the content expression of the painting,and believe that the daily elements can reflect the individual and collective subconscious,and the fragmentation of them is also a metaphor for the resistance to reality and human alienation.Daily elements can not only be presented as images in the picture,but also in the sense of ready-made materials.Reflection on historical memory is a very important theme in the painting creation which takes everyday elements as the construction way.Images with everyday elements as the core of the construction usually represent the kinks between memory and reality.Based on this,I believe that in the paintings related to memory,daily elements can break the grand and complete narrative style in a fragmented way through the construction of form and content,and finally reflect the repressed real feelings from personal experience.