Research On Piano Accompaniment Of Liu Wenjin’s Sanmenxia Fantasia

Erhu as a traditional Chinese musical instrument,its timbre is very characteristic,and from the musical instrument structure is similar to the violin,is a very test of learners’ skills.Before the last century,there were few special composers who composed music for him,but more of them were used as the orchestration of traditional opera music.Through continuous development,erhu gradually separated from opera and became a solo instrument.As the "king of musical instruments",piano is characterized by grand volume,sound effect and wide range.Before the 20 th century,these two musical instruments did not appear on the stage together.However,since the 1930 s,through the unremitting efforts of outstanding composers such as Liu Tianhua,a Bing,Liu Wenjin and Wang Jianmin,these two musical instruments have been able to appear on the stage together.This is not only the progress of the two musical instruments,but also the progress of the development of Chinese music,which is diversified and medium-sized The historical development trend of the combination of the West and the East.In the development of national music in the past 100 years,there are many excellent works using erhu and piano.The reason why this paper takes Sanmenxia Fantasia as an example is that the use of Erhu skills and piano accompaniment is a milestone innovation in the development of erhu works at that time.From the perspective of piano accompanist,this paper makes a comprehensive analysis and research,and analyzes the music characteristics of Sanmenxia Fantasia from three aspects: work style,musical structure and comparison with other accompaniment forms.This paper analyzes the music expression of the whole work from the perspective of performance,and analyzes the music text of piano accompaniment from the aspects of accompaniment texture and sound type,rhythm and beat,strength,speed,skill and difficulty.Combined with the needs of Erhu performance and piano accompaniment,from the perspective of cooperation between piano and erhu,this paper expounds that the cooperation should be coordinated in terms of intonation,auditory feeling,breath coordination,timbre and volume,as well as pre performance preparation.It is hoped that in the context of the diversified development trend of the integration of Chinese and western music,the performers can continue to study and practice the cooperation between other Chinese national musical instruments and pianos in the future,and contribute to the inheritance and development of Chinese national music.