On Feng Jicai’s Writing Of Intangible Cultural Heritage

The comprehensive and three-dimensional thinking of non-posthumous culture runs through the whole process of Feng Jicai’s literary creation and cultural action.With the intellectual’s sense of cultural responsibility and mission,Feng Jicai moves from non-self-conscious non-posthumous cultural protection to self-conscious non-posthumous cultural writing.He uses his own life experience and innovative writing techniques to construct a non-posthumous cultural world which is connected with cultural action and literary creation.Feng Jicai is a typical literary creator in China who integrates the sense of cultural responsibility and social mission.The content of non-legacy culture writing in his works is the best witness of his cultural action.His non-legacy culture writing has both aesthetic and sociological value.It is a realistic traditional culture writing style.Feng Jicai’s non-legacy culture writing mainly involves "social practice,ceremony,festival activities" and "traditional handicraft" these two categories of non-legacy culture.Production and trade folklore and Tianjin Huanghui are the main contents of the writing of "social practice,ceremony and festival activities ".This kind of non-legacy culture writing records the craftsman’s craft inheritance custom,many old shops,traditional commercial terms,and shows the traditional Mazu festival ceremony,which are the witnesses of the inheritance of non-posthumous culture.The writing of "traditional handicraft" is composed of clay sculpture,wood carving,woodblock New year painting and "Jinwei" traditional food processing technology,such as "Goubuli" steamed bun,tea soup and other specific non-heritage cultural elements.Feng Jicai comprehensively and meticulously describes the living,pluralistic and social characteristics of these non-heritage cultural elements,and objectively and rationally analyzes the regional humanistic feelings and historical objects behind these non-heritage cultures.Feng Jicai’s non-posthumous culture writing,looking back at the past and based on the present,takes the stories in daily life as the material,and puts the writing of non-posthumous culture into a historical and cultural space in the language closest to the people’s life.To the reader to bring all-round non-posthumous culture understanding.Feng Jicai’s explanation of the unique charm of non-heritage culture,on the one hand,chooses the common people’s perspective,in the trivial life,elegant and vulgar,through the small people’s perspective,tells the story of the people,expresses their common feelings as intellectuals.On the other hand,the parallel way of legend and reality forms the literary presentation form of writing non-legacy cultural fiction and non-virtual structure.The vivid legendary color can set off the cultural appeal of non-legacy culture.Based on the reality of oral record to explore and record many types of non-legacy culture to the greatest extent,thus revealing the urgent status of non-legacy cultural protection,in the written level of systematic and complete printing of Chinese non-legacy culture.There are many reasons why non-legacy culture runs through Feng Jicai’s whole literary creation.Since childhood,influenced by traditional cultural customs,Feng Jicai has loved and even preferred these non-heritage cultures,especially in Tianjin,where he grew up,so he will unconsciously integrate non-heritage culture into his early literary creation.In addition,Feng Jicai has been adhering to the Confucian culture of "taking the world as his own responsibility" feelings,facing the social transformation and global economic integration to bring a huge impact on non-legacy culture...