Research On The Sinicization Of The Material Language Of Contemporary Watercolor Painting

Generation after generation of watercolor painters,in the foreign art style of watercolor,explore the connection with traditional Chinese culture and thought,pursue the traditional Chinese aesthetic spirit from the material language,and constantly innovate the material language of Chinese watercolor painting.In this process,the material language used in traditional Chinese ink painting can be used in watercolor painting to reflect the spirit of traditional Chinese aesthetics.Including the western traditional watercolor painting materials,comprehensive materials,and Chinese ink painting materials are borrowed from the watercolor painting materials.The third part of the article is divided into four periods to summarize and sort out the historical development and evolution process of Chinese ink painting materials in the application of Chinese watercolor,tracing and observing the innovation and significance of Chinese watercolor material language from a historical perspective.On the one hand,from the "Confucianism,Buddhism,Taoism" of the spiritual soil to explore its ideas,the Confucian thought advocated "the mean",moderate principle,simple;Zen advocates the discovery of the nature of the self,so that the subject becomes a truly free mind,to obtain a true,Buddha nature of the state of mind;Taoism advocates the unity of man and nature,inaction and compliance with nature.On the other hand,this paper analyzes how the language of the material of the localized watercolor painting reflects the Chinese spiritual temperament,aesthetic thoughts and the wisdom of Chinese painting.The fifth part of the article is about the contemporary watercolor material language in the reference of Chinese traditional ink material language to expand the artists’ artistic practice and performance characteristics,techniques,artistic conception,etc.The richness of texture,the innovation of comprehensive media,and the specific performance characteristics of the concept of using pen and ink in Chinese painting constitute a variety of gestures of watercolor material language in the local context of China.Finally,in terms of the influence of the use of watercolor material language on contemporary watercolor,is conducive to the realization of the value of excellent Chinese traditional culture,is one of the effective ways to carry forward the cultural tradition and the aesthetic combination of The Times.In general,the localization of watercolor material language has national character,and its essence is the expression of local specific spirit.On the basis of mastering the property and expression of western materials,this paper takes Chinese aesthetic concept as the breakthrough point to grasp the philosophical connotation of Chinese watercolor art,and drives the innovation of watercolor material language,so that Chinese watercolor painting has national aesthetic taste and spiritual connotation.Future watercolor creation can be used more characteristic of the traditional Chinese painting language materials,development of watercolor painting localization in material impact,continue to explore contemporary watercolor language materials and spirits reflected the deep connections,aesthetic connotation,makes the Chinese watercolor painting theory and complementary coexist,western watercolor painting theory level and vertical to build the creation of Chinese watercolor language,In the era highlights the colorful watercolor art to present the artistic charm.