History,Gender,Narrative

As one of the representatives of the post-1980s writers,Di’an has attracted much attention since her debut,and is called "the bridge between serious literature and youth literature".In her writing,the romance of youth and the trouble of growing up go hand in hand,the adventure of fate and the coincidence of life are hard to avoid,the individual opportunity and family development are entwined,therefore,each work shows a unique lasting charm.In many of Di’an’s works,most of them focus on modern themes,especially the complex relationship between people in urban life and the interlaced destiny in changing times.However,in the “Lingyang in the south of China”,Di’an shifted her eyes to ancient times for the first time,telling the story of the widow Lingyang.This article regards Di’an’s “Lingyang in the south of China” as an independent text,focusing more on the aesthetic features and narrative aesthetics of the text itself,using Di’an’s overall creation of the novel as a reference,and combining existing evaluations of Di ’an and related works,reenters the text,and analyzes the thematic depth and aesthetic features of the text from multiple perspectives.Firstly,based on the current situation of the history writing of the post-1980s writers,this paper explores the historical consciousness of with Di ’an as a typical young writer,analyzes how she constructed the historical space and time of the Ming dynasty,and shows her historical consciousness of combining her personal aesthetic experience,ideological connotation and history.Secondly,from the perspective of feminist criticism,pay attention to the uniqueness of "Ling Yang" in the novel compared to the characters in other youth growth novels.The focus of the novel is on an absurd "virginity" phenomenon in historical culture.In historical discipline,women’s true destiny is gradually distorted from ignorance,and the change of female consciousness behind the cruel and tragic female destiny is tapped.Finally,as a challenging work in the creation of Di’an,“Lingyang in the south of China”,combined with the overall appearance of her novels,I will use narratological theory to analyze the narrative art in the text from the perspective of narrative perspective,narrative structure and narrative language.At the same time,I will also pay attention to the influence of the internal factors of the creative subject on the narrative style of the text and cultural aesthetics in the contemporary background.Combining her creation and transformation,I will care about the current status and cultural significance of the entire “80s” group creation,and thinks about the significance of the work of Di’an to the "post-80s" writers.