Analysis Of Performance Technique And Music Image Of Pipa Concerto "Little Sisters Of The Prairie"

The pipa concerto "Little Sisters of the Prairie",was created in 1972 by composers and pipa players.It is the first piece of pipa and orchestra concerto in China.The three authors not only create the strong and brave hero image of Longmei and Yurong,but also coordinate the difference between pipa and orchestra with Mongolian musical elements.Through ingenious combination,the pipa playing techniques in the works depict the vivid and graphic musical images of the little sisters,sublimate the theme of the story,increase the depth of the music and be praised by the audience at home and abroad.In order to enable more pipa lovers to learn and play this work,Wu Zuqiang,Wang Yanqiao and Liu Dehai adapted "Little Sisters of the Prairie" into piano ensemble version and pipa solo version,which made it more widely spread.Based on the analysis of the orchestral co-edition,the author makes a more in-depth study on the performance techniques and the image of music,and explores the artistic value of the work and its influence on the music creation of pipa.This article has five chapters,the first chapter introduces the subject source,the research purpose and the significance of this paper,and expounds the current research situation at home and abroad;the second chapter introduces the composer,the creation process and the performance experience;the third chapter analyzes the creation technique of "Little Sisters of the Prairie" from three aspects: the music development,the music structure and the use of the folk music elements;the fourth chapter is the key chapter of this paper,which combines the data with the author’s own performance experience to analyze the introduction and the five parts paragraph by paragraph;The fifth chapter,combined with the previous research results,analyzes the value embodiment of "Little Sisters of the Prairie".