This paper starts from the background of Zhashibao’s life experience,studies the influence of Zhashibao’s era environment and the relationship between teachers and inheritors on his painting art through the era background,social activities and humanistic background in the late Ming and early Qing Dynasties,focuses on his painting style of "wind spirit is lazy and charm is desolate",and summarizes the important influence of his painting style on later generations This paper combs the artistic thought and artistic value of Zhashibiao,and studies his pen and ink and artistic conception.In the study of the current situation of Zhashibiao’s landscape painting,we can see the inheritance and development of his painting style by some modern and contemporary calligraphers and painters or historians.Appreciate the art of the choral standard and the essence of the art works,integrate the painting skills and painting ideas of Zhessmaster into sketching creation,accumulate experience,and combine theory with practice.The first chapter describes the background,content,research status,purpose and significance of the subject;The second chapter studies and arranges from the perspective of his life experience,social environment and cultural connotation;The third chapter discusses the two factors of humanity and nature in the formation of the style.Mainly from the aspects of learning from the ancients,learning from the people,learning from the nature,we can truly keep company with the ancients,learn from the nature,and perfectly interpret the unique features of nature with pen and ink language.The fourth chapter analyzes the formation and development of Zhashibiao’s painting style,which is complementary to his personal experience,and studies the connotation and artistic conception of Zhashibiao’s painting style.His painting,calligraphy and painting poems are the perfect combination of his thoughts and objective things;The fifth chapter studies the influence of Zha Shibiao’s painting style on later generations,inherits and carries forward the artistic ideas of the ancients,and promotes the development of painting in the late Ming and early Qing Dynasties;The sixth chapter discusses the theoretical cultivation and creative practice under the influence of Zhashbiao’s painting style.To feel the artistic connotation and spirit of traditional Chinese landscape painting,carry forward and revive the traditional Chinese culture through one’s own efforts. |