Analysis Of The Painting Style Of "Mi-style Cloud Mountain

“Mi’s Landscape Painting”is one of the unique representative of literati paintings,Mi Fu,the founder of it,refined the pen and ink into "Mie ’s point method" based on the aesthetic ideas and Dong Yuan artistic conception,and expressed the mountains and rivers of Jiangnan in the form of cloud mountain of ink painting,exploring the painting style of "The plain naive beauty,pen and ink indulgence,simple and has a good fun ",developing the pen and ink of Chinese painting,and raising the pen and ink of Chinese painting to the spiritual height of "Ink Play".His son,Mi Youren,inherited and developed it,and they created a new feature and new height for traditional Chinese painting.The scenery of Jiangnan in his works is represented by the pen and ink artistic image of the vast mountain,wet tree,and a hazy cloud.And he applies the pen of calligraphy to painting,using ink methods such as Ink breaking method,Ink breaking method,and Ink accumulation method,and using the method of "dot dyeing" instead of "ticking" to express the spirit of ease in the chest,achieved artistic innovation and self-transcendence.This paper mainly traces the origin of "Mi’s Landscape Painting" painting,among then,the literati painting concept,Dongyuan and Juran painting,Jiangnan regional environmental factors analysis “Mi’s Landscape Painting” painting style source.secondly,it analyzes the concrete embodiment of the painting style of "Mi’s Landscape Painting" in terms of ink,image and modeling method,which presents The vast mountain,Wet tree,and a hazy cloud in the image.In terms of modeling methods it uses specific methods such as rice dots,taking the meaning but not the shape,contrasting relationships,leaving white space,etc.,while using representative works of Mi Fu and Mi Youren as examples,the third chapter is an in-depth analysis of the painting style of "The plain naive beauty,pen and ink indulgence,simple and has a good fun " and the artistic spirit of "clouds of smoke in ink play" contained in "Mi’s Landscape Painting",and a distillation and summary of the aesthetic thinking of the Mi family,father and son.The fourth chapter is the study of "Mi’s Landscape Painting" painting style and aesthetic ideas and the inspiration obtained,the application and comparison analysis in the sketching and creation,and finally the practical experience and conclusion.