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Research On The Harmony Technuques Of Chu Wanghua’s Six Preludes

Posted on:2022-04-26Degree:MasterType:Thesis
Country:ChinaCandidate:Y HouFull Text:PDF
GTID:2505306536493734Subject:School of music and dance
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As a composer dedicated to piano music creation in the 20 th century,Chu Wanghua is active on the stage of piano music creation with his exquisite composition techniques.With his unique creative style,he absorbs the nutrients of our country’s folk music,and the piano music works he created contain both rich national connotations and distinctive contemporary characteristics."Six Preludes" were all created in Chu Wanghua’s earlier career.The genre is short and concise.It uses the combination of Chinese national pentatonic tunes and Western multi-voice creation techniques.Through the chord materials and modes in the works With the nationalized harmony techniques such as materials and harmony progress,the six preludes of Chu Wanghua were systematically studied and analyzed,and then the application of the national harmony techniques in the six preludes of Chu Wanghua was summarized.This article is divided into five chapters.The first chapter mainly summarizes the pre-arrangement work of the thesis,and summarizes the topic selection of the thesis and the research status of the related papers;the second chapter is through the analysis of Chu Wanghua Through his growth and creative experience,he approached Chu Wanghua ’ s personal style and the background of his work,laying a solid humanistic foundation for the systematic analysis of Chu Wanghua’s six preludes;Chapter 3 is about the themes of the six preludes An in-depth analysis of the "Chinese style" of the title,musical language,aesthetic expression and performance thinking characteristics,to explore the personal emotions that Chu Wanghua wants to convey in his works and the humanistic concerns about the development of national culture;Chapter 4 is about the nationalities in the chord materials The transformation and application of the chord structure of the style,discusses the national style and innovation shown in the chord structure;Chapter 5 is the use of diversified mode materials,from the combination of pentatonic melody and seven-tone natural mode,and analyzes specific examples are analyzed;Chapter 6 discusses some personalized harmonization applications in the six works,including parallel,linear,and continuous harmonization applications.The piano music genre of Chu Wanghua’s Pre-Music has left his own footprint in the century-long process of Chinese piano music through the use of a variety of creative techniques in ethnic styles and his unique artistic creation charm.
Keywords/Search Tags:Chu Wanghua, Chinese Style, Chord material, Mode material, Harmony progress
PDF Full Text Request
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