Analysis Of Grieg Art Songs And Sound Techniques

Edvard Grieg, (1843-1907) Norwegian composer, the first half of the 19th century was a composer's reputation in Europe, Norway, the founder of the national music camp. Grieg's exploration and innovation embodied in the sound field, extensive use of color and sound of songs works of its most unique aspect. He sought to blend in harmony, within the framework of strongly harmonic performance of color to play the role of the diversity of the variable tone chords, personalized harmony for ways to make the songs sound richer colors of changes, which for the songs meaning of the word, plot, mood and other elements of the expression has a good effect, worthy of future generations to learn from.This paper is divided into three chapters, respectively, from the "transfer-type material", "chord material", "Harmony " the three aspects of the analysis of Faure art songs, and make the overall context of sorting out and grasp. Acoustic techniques in these areas through research, explore the Art Songs of Grieg and sound techniques in the inheritance and innovation, and how to broaden the use of modal and different inter-modal integration, as well as the traditional harmony of materials development and transformation, etc. bring to their music, rich sound.