Research On The Folk Culture Phenomenon In The Peasant Paintings Of Pizhou

As an important part of folk art,the peasant painting is closely related to local folk culture and traditions.Since it reflects customs and life scenes of local people in different historical periods,it is a graphical presentation of local folk life.It not only shows the spiritual outlook of the local people and contains a large number of folklore phenomena,but also projects the emotional expression of the people.Therefore,it can be regarded as a precious kind of chorography.This article takes the peasant paintings of Pizhou as the topic,and from the perspective of folklore to study the artistic language,emotional expressions and local folk customs of peasant paintings based on the field investigations and literature.Through the graphic materials and various peasant paintings,the author will deeply analyze the folk customs involved in peasant paintings of Pizhou,and try to understand the local folk life.Furthermore,with elucidating the deep meaning of the folk culture,the author’s creative direction can be gradually clarified.This article can be divided into three parts.The first part is the introduction,which mainly introduces the research background,research significance,research content,innovation points,and difficulties.The second part is the body of this article with four chapters.The first chapter introduces the relationship between the peasant paintings of Pizhou and the folk culture,and explores the influence of the folk culture on peasant paintings of Pizhou.The second chapter studies the types of expressions of the folk culture in the peasant paintings of Pizhou.Representative peasant paintings are selected to analyze the expressions of the local folk culture in peasant paintings of Pizhou,and to discuss the local people’s knowledge,understanding and expression of the local folk life.The third chapter mainly analyzes the causes of the folk culture in peasant paintings of Pizhou from two aspects of environmental factors and human factors.The fourth chapter interprets the influence of peasant paintings of Pizhou on the author’s creation,which focuses on the topic of Chinese Zodiac common in the folk culture.The third part is the conclusion to summarize the full text.Some suggestions are proposed with regard to the difficulties faced by the peasant paintings of Pizhou.Moreover,the author calls on more people to pay attention to the folk art and the folk culture with local characteristics,and to expand new paths for the development of the local folk culture.