Study On The Nanfan’s Literary Theory Of Relationalism

Nan Fan is an important literary theorist,literary critic and famous writer in contemporary China.In the field of literary theory,the literary thought of "relational doctrine" advocated by him has distinctive features and profound academic principles,which has become one of the most constructive thoughts after "anti-essentialism".This paper is a comprehensive and systematic study of Nan Fan’s literary theory of relational doctrine,seeking to grasp and systematically present a more complete theoretical morphology of this thought.This paper discusses Nan Fan’s thoughts on the five aspects of "relational ontology","literature and history","literature and subject","literature and discourse" and "literature and criticism".On the aspect of "relational ontology" : the particularity of literary properties is realistically determined in relation network and object comparison;The basic coordinate of literature should combine the synchronic axis and the diachronic axis.At the same time,the initiative and determination of the synchronic axis to the diachronic axis are emphasized.Focusing on and grasping the China issue is the key to dealing with the complex relationship between the mainland and opening up.In terms of the relationship between "literature and history",the difference between literature and history lies in the analysis of units and fiction.Daily life is an important way for literature to enter social history.The history of literature is centered on the series of literary classics,while the establishment of literary classics is deeply influenced and restricted by social power.In terms of the relationship between "literature and subject",writers,as the subject of literary creation,are closely related to the originality of literary tradition.They inherit the tradition and try to break through the norms.As the subject of literature,the mass,facing the problem of "double-edged sword" influence when the era of electronic media comes,proposes that the composition of the mass should be examined in different historical fields and theoretical contexts,and the standpoint and viewpoint of "dual perspective" should be adopted.As an important subject of literary objects,the narration about the bottom group should be written by intellectuals and them.In terms of the relationship between "literature and discourse",we put literary discourse into the network of social and cultural relations.Literary form is the order of discourse,which is fundamentally the unity of the relationship between history and language.As a kind of literary form,it forms and hides ideology in the relationship between the world,writers,works and readers.In terms of the relationship between literature and criticism,literary critics should have the coordination ability of social integrity of literature,unified aesthetic experience and rational thought,and dialogue should be the reasonable relationship between literary critics and writers.As a criticism paradigm,"academic" criticism bears social responsibility through academic discourse and performs its own duties with public criticism.Cultural studies open up a new perspective of literary studies,which is the same as the theory of multidimensional relation of objects that relational studies emphasize,and can be regarded as an example of relational studies.This paper is of significance to systematize and understand Nan Fan’s literary theory of relationshipism,and to explore and enlighten the construction of Chinese contemporary literary theory.