Singing Analysis Of The Aria Section "Not Filial Piety And Shame To The Mother" In The National Opera "The Wild Fire And Spring Wind Fighting The Ancient City"

"Wild fire and spring breeze fighting the ancient city" is one of the representative works of Chinese opera,and it is also a national opera with the theme of Anti Japanese war in the history of Chinese opera.In this opera,the characters portrayed by each actor have left a very deep impression on the audience,especially the Aria of "can’t be filial and ashamed of my mother",which is full of emotion and emotion Spirit,is very worthy of contemporary learning.The author deeply explores and analyzes the historical and cultural background,musical structure,singing skills and emotions of the song,so as to deepen people’s understanding of opera,and more importantly,improve people’s understanding of national opera,learn to understand the characteristics of national opera,and make the singers comprehensively develop and improve in singing.On the basis of summing up the achievements of many scholars and researchers,combined with the author’s in-depth study and personal experience in the graduate stage,this paper combs and analyzes the opera’s historical background,national characteristics,character emotion,song structure and the singing characteristics of the hero Yang Xiaodong.In the first chapter,the creation background and era background of the opera "wild fire and spring breeze fighting ancient city" are briefly described.The second chapter is the in-depth analysis of the work "can’t be filial to my mother",including the analysis of the work’s genealogy,national characteristics and drama elements embodied in the work style.The third chapter,combined with their own singing experience and many singers in singing the Aria "can’t be filial and ashamed of my mother",analyzes the singing technology,emotional expression and stage performance of the work,hoping to enrich the interpretation of the work through the author’s analysis,which is more conducive to the singer’s grasp of the singing style of this aria.