| The term "non fiction" was first proposed by American writer Truman Capote in the 1960 s.In the 1980 s,non fiction was introduced into China,which did not cause much attention at that time.In 2010,after the "non fiction" column was launched in the People’s Literature,non fiction formed a wave of upsurge under the joint action of creators,editors,researchers and readers.The prevalence of "non fiction" cannot be separated from its challenge to the classification pattern of traditional literature.It tries to form a new cognitive and writing posture through the authenticity of the text,and provides a new possibility.It is also trying to break the traditional cognition that fictions are the highest standard of literature.As the vane of the times,the People’s Literature has put the concept of publication into the literary scene,and pushed "non fiction" into the process of changing literary trend in the new century.In addition to the sensitivity to creation,the "non fiction" introduced by the People’s Literature also reflects a naming strategy."Non fiction" is not non fiction,it is the fusion of fictional and non fiction,that is,non fiction has literariness,it is not based on facts judgment and conclusion,it also embodies the spirit of literature in the rational display.Throughout the "non fiction" work launched by the People’s Literature,it has the connotation of pursuing truth and emphasizing the presence and action of the author.This paper mainly discusses the four aspects: introduction,the rise of People’s Literature and non fiction writing,the theme of the "non fiction" column of the People’s Literature,and the writing position of "non fiction" in the People’s Literature.The introduction part starts from the research review of "non fiction",the connotation of "non fiction",and "non fiction",trying to explain the meaning of "non fiction".The first chapter,from the orientation of the idea of running a journal,the promotion of the editor’s strategy and the promotion of literary organization activities,tries to analyze the promotion effect of the People’s Literature on "non fiction".This paper holds that "People’s Literature" has the highest historical responsibility and cultural mission since its inception.As "the literature of the people",its founding idea cannot be separated from the people.It is the magazine that stands on the people’s stand and the trend of the times to launch "non fiction" works.Besides the idea of running a magazine,the editor’s influence on the journal should not be ignored.Li Jingze,then editor in chief,promoted the emergence of "non fiction" works.In addition,literary organizations such as Literature Conference,writing plan and award system jointly promote the development of "non fiction" works.The second chapter,starting from the three themes of urban and rural,border and history,tries to explain the theme connotation and significance of the "non fiction" column of "People’s Literature"(2010-2019).This paper holds that "non fiction" works such as "China in Liangzhuang","diaoyiang Zhuang","Dictionary: southern industrial life" show the real loss dilemma of urban and rural areas."Yangdao spring Ranch","twelve years of Tibet" and "long eyebrow camel" show the natural cultural customs of the border areas."Zhan Yi","throne" and "photo writing" and other "non fictional" works show the writing of large and small history.Besides the theme connotation,urban and rural "non fiction",border "non fiction" and "non fiction" in history have their unique significance as "non fiction".The third chapter,from the perspective of "transitivity","presence" and "worry",tries to explain the writing position and significance of "non fiction" in the People’s Literature.This paper holds that "non fiction" works have the pursuit of reality,the intervention of the author’s actions and the display of problem consciousness.Such writing position makes "non fiction" have a deep sense of texture of life and the literary spirit of facing life directly.It provides such a solution for Contemporary Literature: "non fiction" can be used as a method and spirit,and it can inject fresh fresh water into the increasingly marginalized situation of literature. |