Music Analysis And Performance Research Of Art Of Guzheng’s "Chen Xing"

Since the reform and opening up,the shape of Guzheng has been constantly innovated,and the works of Guzheng music have been constantly enriched.With the increasing frequency of China’s foreign exchanges,the exchanges between China and the west at different levels are also deepening.The continuous exchange and collision of Chinese and Western culture and art makes our national instrumental music flourish,but also brings great impact and challenge to the traditional music culture.How to better inherit the traditional music culture in the process of innovation and development of national instrumental music has become a problem worthy of attention.Therefore,more and more professional composers start from the local music elements,boldly use the traditional national music vocabulary,break through the limitations of traditional national instrumental music,and create Guzheng works with Chinese national characteristics.“Chen Xing”is a work based on the language and phonological characteristics of traditional Chinese music.Composer Chen Zhe used the traditional elements of Jingyun drum,combined with contemporary composing techniques,to vividly depict the living conditions of old Beijing people.Through the music ontology analysis and performance techniques research of this work,the author tries to explore the inheritance,innovation and development of contemporary Guzheng works to traditional folk music.This thesis is divided into three chapters.The first chapter is to elaborate the background of the“Chen Xing”.The second chapter will discuss the traditional folk music elements contained in the music noumenon.The third chapter is to analyze and elaborate the performance of Beijing rhyme in “Chen Xing” from the perspective of the performer.In the conclusion,the author will summarize the integration and development of contemporary zheng music works and traditional music culture.