| There are many types of traditional Chinese paintings,among which meticulous figure painting is one of the most representative types.Its development has a long history and is of extraordinary significance.Time Shift.How to keep up with the times while persisting in the meticulous figure painting with the essence of Chinese culture for a thousand years has become an important issue facing its development at this stage.The relationship between shape and meaning is of great significance to enriching the content of the fine brushwork figure works,and it is also one of the internal driving forces to promote the development of modern fine brushwork figure painting.Therefore,taking the relationship between form and meaning as the research object has certain practical significance for the development of the study of meticulous figure painting.This article mainly discusses from the following three aspects: The first is the understanding of the formation and theoretical development of the relationship between form and meaning in the traditional artistic concept,to further clarify the internal relations between "form","meaning" and "image".Explore the close relationship between the three blends and complement each other.Secondly,based on the relationship between form and meaning in meticulous figure paintings,by combing through the development and evolution of the understanding of the relationship between the two under traditional art theories,we further summarize the specific manifestation of the relationship between form and meaning in meticulous figure paintings,which is reflected in the inner " There are two aspects of the external modeling conception of "intent in writing first" and "the unity of form and intention".Finally,the key part of this thesis is introduced,Finally,the key part of this thesis is introduced,through combining the author’s creation to explore the practice of the relationship between form and meaning,mainly to the creative idea and the specific analysis of the creative process,and then to explore the significance of the relationship between the shape and the character in the works of the characters. |