Research On The Activation Path Of Gaomi Niejiazhuang Clay Sculpture From The Perspective Of Cultural Ecology

In our country,folk craftsmanship is an important part of traditional culture and a treasure of Chinese culture and art.Due to the differences in geographical environment,social history,customs,and aesthetic characteristics in various regions,its folk craftsmanship has strong local and national characteristics,and has both temporal and spatial aesthetic value and arti stic charm.Known as the "nine caves and five dragons embrace the stream,the west gravel and the east hills are stacked",with the superior geographical conditions of "the beauty of the nine ridges in the south and the hero of the ancient city in the nort h",it has nurtured the hardworking and intelligent people of Gaomi Created a simple,simple and dynamic clay sculpture works.Since the Niejiazhuang clay sculpture was unearthed and protected in the late 1970s,it has been receiving attention from all wal ks of life.In June 2006,it was officially listed as a national intangible cultural heritage by the State Council of the People’s Republic of China and the Ministry of Culture of the People’s Republic of China.Although the popularity of Niejiazhuang clay sculptures has gradually increased,the academic research on them is far from enough.At the same time,although there are many problems in the process of inheritance,protection and development.This article selects Niejiazhuang clay sculptures as the research object,from the perspective of cultural ecology,explores the cultural causes and values behind the formation of Niejiazhuang clay sculptures,and combines the current living inheritance of intangible cultural heritage.Take Nie Peng clay sculpture studio as an example.To explore the activation and propagation path of Gaomi Niejiazhuang Clay Sculpture,and put forward feasible strategies on how to activate Gaomi Niejiazhuang Clay Sculpture.This thesis is mainly discussed in four chapters.The introduction of the first chapter mainly systematically sorts out the framework of the main body of the article,puts forward the background and significance of the topic of this thesis,and presents the existing research results of Gaomi Niejiazhuang clay sculpture,the living inheritance of intangible cultural heritage,The related content of cultural ecology is reviewed,and the current innovation and practical value of the research of this thesis are clarified.The second chapter is a description of the ecological environment produced by high-density clay sculptures,including the local natural ecology and cultural ecology.Including folk culture,folk literature,and other intangible cultural heritage of Gaomi local handicrafts,expounding the close relationship between them.Find out the integration point between cultural ecology and lay a solid theoretical foundation for this thesis.Chapter 3specifically analyzes the "living" inheritance of Gaomi Niejiazhuang clay sculptures,including the theoretical basis for the "living" inheritance,Nie The living nature of Jiazhuang clay sculptures,the current status of living inheritance of clay sculptures,and their inheritance value.The continuous development of materials,craftsmanship and cultural charm is used to explain its continuous liveliness.The fourth chapter is based on the above chapters,from the perspective of non-material inheritance and protection,combined with the current activation strategy,the inheritance form of "development protection",analyzes the specific case of Nie Peng clay sculpture studio,and points out "experience—culture—Ecology—Scene" four-point path.This article is based on the unique perspective of the living inheritance of Niejiazhuang clay sculptures from the perspective of cultural ecology,and conducts an overall,systematic and dynamic research on the cultural ecological system of Niejiazhuang clay sculptures in order to fully grasp the cultural ecological environment in which it survives.,Has a certain innovative re search value.On this basis,it puts forward sustainable development protection and development measures,so as to put forward a feasible path for the living inheritance and development of Niejiazhuang clay sculptures on the basis of deepening the academic theoretical research of Niejiazhuang clay sculptures.From the perspective of cultural ecology to explore the path and method of its living inheritance,it can play a good reference role for the research of other domestic folk handicrafts.