After hundreds of years of decline,zhang qian bei,a classic work in the mature period of official script in the han dynasty,was finally promoted by famous scholars,scholars and calligraphers to become a new classic in official script in the qing dynasty.This paper attempts to provide some enlightenment for my official script creation from the perspective of the transformation of the aesthetic concept of zhang qian bei by the calligraphers of the qing dynasty and how the calligraphers of the qing dynasty adopted zhang qian bei and applied it to their own practice.This paper is divided into five chapters.The first chapter is the introduction.The second chapter mainly introduces the historical background and artistic characteristics of zhang qian bei.It has a more in-depth and three-dimensional understanding of zhang qian bei from the three aspects of social characteristics,ideology and culture,and aesthetic concepts of the han dynasty.Then it analyzes its artistic characteristics and aesthetic value from the aspects of its brushwork,structure,organization and style.The third chapter starts with the social background of the qing dynasty,divides the qing dynasty into three stages: the early stage,the middle stage and the late stage.On the basis of the existing data,literature research and comparative analysis are used to select the works of the representative calligraphers of the qing dynasty for comparative study.The fourth chapter,on the basis of the previous research,summarizes the methods of the calligraphers in the qing dynasty to learn from zhang qian bei and the experience of learning from ancient innovations.Chapter five is the conclusion part.When we learn zhang qian bei,we should follow the spiritual connotation of "da qiao ruo zhuo",adhere to the principle of "zhuan li Ben",and achieve "appropriate choice",so as to make further progress to the excellent works with "both body and spirit". |