The Study Of The Painting Art Of Baby Drama Theme In Qing Dynasty

Baby play theme painting is a kind of painting works that describes the scene of children’s frolic,which belongs to traditional Chinese figure painting.The Qing Dynasty is another prosperous period for the development of infant drama painting.A group of painters,such as Jiao Bingzhen,Lengmei and Jin Tingbiao,are good at painting children.The development of infant drama painting in the Qing Dynasty is closely related to the political,cultural and other social background at that time.Under the background of respecting Confucius,advocating Neo Confucianism and integrating the excellent cultures of various nationalities,the traditional customs and culture are gradually developing Also more popular,and affect the development of infant drama theme painting.In the paintings on the theme of baby drama in the Qing Dynasty,the pictures show the scenes of children playing and gaming.There are a variety of subject categories and artistic expressions,reflecting the life at that time.In general,the artistic characteristics of the paintings on the theme of baby drama in the Qing Dynasty are reflected in the integration of realism and exaggeration,the interweaving of court and folk paintings,the coordination and unity of stylization and individuation,etc.Its connotation is extremely rich.First,it shows the pattern of children playing and Manchu horsemanship and archery culture in various traditional festivals and celebrations of the Qing Dynasty.Second,it reflects the traditional theoretical concepts of inheritance,son preference,civilized etiquette and so on in the Qing Dynasty.Third,under the influence of the eastward spread of Western Culture,traditional painting and western painting collide and merge.Through the study of infant drama theme painting in Qing Dynasty,we can see that it not only presents the spectacles of children playing,but also shows a distinctive cultural connotation.Its unique value is of great significance to our research.