A Study On The Novels Of "Qizhen Theme" In Qing Dynasty

This paper focuses on the study of the novels about the Seven Taoist priest in the Qing Dynasty.The main objects of study are the Taoist novels such as the biography of the Seven Taoist priest ancestors,the biography of the Seven Taoist priest themes cause and effect,and the history of the Jinlian immortals.These novels finally shaped the myth of the seven sons of Quanzhen,which mainly tells the story of Wang Chongyang’s transformation of the seven sons of Quanzhen into immortals.The novels of "Seven Taoist priest themes" in Qing Dynasty have their unique cultural value,but at present,there are few researches on them in academic circles.Therefore,this paper is devoted to the all-round and multi-level discussion of the Qing Dynasty’s "Seven Taoist priest themes" novels,which is of great significance to understand and grasp the essence of the novels and objectively evaluate the position of the Qing Dynasty’s "Seven Taoist priest themes" novels in the history of literature.The paper is divided into three chapters:The first chapter discusses the basic problems of the novels about the Seven Taoist priest themes in Qing Dynasty.First of all,it introduces the situation of the lost of the novels about the seven truths in Qing Dynasty,and then discusses the creation source and background of the novels about the seven truths in Qing Dynasty.The literature description about the images of the seven truths before Qing Dynasty is the important source of the novels about the seven truths in Qing Dynasty.The creation background of the Qing Dynasty’s "Qizhen theme" novels is influenced by subjective and objective factors such as the author’s intention and social background in the late Qing Dynasty.The second chapter explores the cultural connotation of the novels of " Seven Taoist priest themes " in Qing Dynasty.Under the background of the confluence of Confucianism,Buddhism and Taoism,the novels of "Seven Realms" in Qing Dynasty show the new characteristics of "three realms are one,Taoism is the religion";the Taoist culture in the novels is rich,including the ethical thoughts of Taoism such as "accumulating goodness into immortals","immortals and noble students" and "attaching equal importance to loyalty and filial piety",as well as the belief test of Quanzhen Taoism to Taoism.At the same time,the description of fairy characters in the novel also presents aesthetic connotations such as "taking simplicity as beauty","taking vulgarity as beauty" and "taking Yin as beauty".The third chapter makes a research on the artistic characteristics and shortcomings of the novels of the Seven Taoist priest in Qing Dynasty.The artistic features of the novel are elaborated in terms of its structural art,language art and parasitic stylistic art.In terms of spatial structure,the novels of the Qing Dynasty " Seven Taoist priest " imitate and innovate the "Heaven Earth Sky" structure of traditional Taoist novels.In terms of plot structure,it skillfully applies the technique of pre narration pre-narration by usingto use suspense to promote the plot of the novel.In terms of language art,it focuses on the analysis of the Qing Dynasty The language style of the novel of " Seven Taoist priest themes" in the Qing Dynasty is simple,vulgar and lively;the novel of " Seven Taoist priest themes" in the Qing Dynasty involves a variety of parasitic styles,such as poetry,parallel prose,Daoqing songs,applied prose and so on,which is another major artistic feature of the novel.Of course,there are many shortcomings in the novels of the Seven Taoist priest themes of Qing Dynasty,such as the flattening of the characters,the serious separation of plots,the lack of imagination art,the contradiction between the contents of the novels and the original intention of the creators,and so on.