Aesthetic Study Of Biological Art Philosophy

With the rapid development of biological art,there are many new life forms in organisms.How aesthetics will explain these new artistic phenomena is still an area to be studied.This paper starts from the four elements of art,that is,writers,works,media and audience of biological art,and makes aesthetic thinking on biological art.Through the classification and integration of biological art works,this paper summarizes the aesthetic characteristics of biological art;Through the aesthetic analysis of the four elements of art,this paper demonstrates the aesthetic characteristics of the deconstruction and reconstruction of biological art;And because the characteristics of deconstruction,the subjectivity and boundary in biological art disappear.This paper provides two internal clues of biological aesthetics.One is to reveal that the aesthetic principle of biological art creation and aesthetics is deconstruction and reconstruction through the discussion of "artist work audience".Another clue is that the "openness" of art works constitutes the aesthetic principle of biological art,and contributes to the blurring of biological art boundary and the reconstruction of "relationship",thus highlighting the two important characteristics of biological Art: Sociality and ethics,which are the focus of biological art aesthetic research.This paper can be divided into five parts:The introduction introduces the research status,research background,research significance and full text framework of biological art.This paper puts forward a new concept of biological art,and expands the connotation of "life" and "life behavior".The first chapter discusses the creation aesthetics of biological artists.Several sections of this chapter follow the internal logic of "understanding life-creating life-Exploring bioethics" to explore the essence of biological media and the ethical relationship between individuals and the whole by placing it in groups.First of all,through the analysis of the works,this paper confirms the identity of biological artists and reveals the disappearance of subjectivity in biological art.Secondly,through the classification of biological art works,the types of biological media are investigated,and the creative ideas and techniques of biological artists are discussed.The content and form of biological art works are discussed in detail by using rich cases.Finally,this paper analyzes the examples of biological artists’ transformation of life body,and discusses the application of fragmentary aesthetics and embedded aesthetics in biological art creation.The second chapter discusses the multiple aesthetic features produced by the combination of biological art and biotechnology.Based on the relationship among "creator works reader",this chapter sums up the characteristics of biological art aesthetic activities from two aspects of "artistic life" and "ethical art".From the discussion of "Ethical art",this paper sums up three characteristics of living biological art,so as to reveal that the core of biological art aesthetic research lies in its sociality and ethics.The third chapter discusses the media of biological art.Artists,audiences and works are the main media of biological art.This paper puts these three media into different categories of biological art and summarizes their respective media characteristics.Media has its commonness and uniqueness.Its commonness is reflected in the aesthetics of relationship formed by the connotations of media "communication" and "transformation".Its uniqueness is shown in different categories of biological art,and media plays different functions.For example,in preventive strategy biological art,technical media is a symbolic tool,while in "Vitalist" Bio art,the function of biological technology media is a technical tool that can truly change the state of life.The fourth chapter discusses the aesthetic taste of biological art appreciation.This chapter focuses on revealing the principle of aesthetic experience in the three aspects of "physiology psychology spirit" of the audience,and sums up the aesthetic experience of the audience to the works as "fear" and "openness",and reveals how the audience’s own open system updates their perception and aesthetic experience through continuous interaction with the outside world,So as to promote the upgrading of open system.