| In the 1980 s,Chinese and western cultures converged with advanced technologies brought about by the industrial revolution.During this period,a group of avant-garde artists emerged in China,whose focus on art gradually shifted from freedom to selfrecognition of cultural identity.Huang Yongping is one of them,often in the eyes of the wise doubt the nature of the mainstream consciousness.Huang’s main artistic principle is that he constantly adjusts his creative strategies due to the presence conditions,and his way of behavior is deeply influenced by wittgenstein,foucault and other postmodern thinkers,and he is full of questioning and examining things.In addition,in Huang’s artistic thought,postmodern thought is regarded as the theoretical guidance tool for creating artistic works.Given huang art has a strong sense of theory,this study Huang’s manuscript and the idea behind the discourse as a research focus,the author thinks that the artist in the manuscript draft text and of the most close to the artist logical thinking activity,is also the artist thought the most important matter.Therefore,the author divides his manuscripts into three types,namely,plan album,artistic image and textual thought.In terms of research methods,this study uses the methods of imagology,style analysis,literature analysis and field investigation to explain the philosophical thoughts and creative motivations behind the corresponding art works of each type of manuscript from multiple perspectives,so as to sort out huang’s complex and changeable artistic thought.That Huang’s art context of this study has the characteristics of the "family resemblance",combing its artistic context focuses on "compensation",namely to Huang’s art thoughts of various strategies and analogy of motivation to study. |
