A Study On The Rhythm Of The Long Tanci Tian YuHua

This article takes the rhythm of the long story "Tian Yuhua" as the research object.It is an excellent story work in the Ming and Qing Dynasties and represents the highest level of story words at that time.The introduction is divided into four sections,the first section mainly introduces the overview of the development of Tanci,the overview of the long Tanci "Tian Yu Hua" and the author’s source.The second section briefly introduces the academic research on Tanci and "Tian Yu Hua".The third section clarifies the purpose and significance of this study.The fourth section briefly describes the research method of this article.Chapter one analyzes the rhyme of "Tian Yu Hua".This chapter is divided into four sections.The first section clarifies the basis for the determination of rhythm feet and counts the number of rhymes used.Determining the rhyme feet is the basis for researching rhyme feet.Only when rhyme feet are determined can the rhythm characteristics of "Tian Yu Hua" be summarized by these rhythm feet.The rhythm of "Tian Yu Hua" is mainly determined by sentence pattern analysis,and the endings of even sentences of various sentence patterns are used as rhythm feet.Use Tian Yu Hua to analyze the rhythm of the sixteen shots of "Guang Yun" according to the rhythm of the rhythm in the same shot.The second section uses rhyme situation analysis.The main purpose is to first analyze the rhythm of each rhythm segment,then link the rhythm between different rhythm segments,and finally merge the rhythm legs that can be linked into the same part.The only thing that comes out of the "Tian Yu Hua" is a rhythm: zhen Gengbu.The third section analyzes the status of the rhythm feet of "Tian Yu Hua" in the rhymes of "Guangyun" and "Zhongyuan Yinyun",and judges the rhythm of "Tian Yu Hua" by "Zhongyuan Yinyun" through the change of the individual rhyme.Has a greater impact.The fourth section is a summary of the content of this chapter.The second chapter is a study of the rhythm of the singing sentence of "Tian Yu Hua".This chapter divides the sentence rhythm of the vocal words into three levels:sentence pattern flatness,sentence pattern contrast and sentence pattern pitch.The first section briefly introduces the related concepts of sentence prosody.The second section analyzes in detail the sing-sentence pattern of the lyrics.According to the length of the vocal sentences,the vocal words are divided into short sentences,five-character sentences,seven-character sentences and long sentences.According to the characteristics of the even word on each sentence,the regular sentences and the non-law sentences are divided.The regular sentences are the regular sentences on the even word,and the contrary are the non-law sentences.The combination of rhythm and non-rhythm makes the sentence pattern of "Tian Yu Hua" sullen and frustrated,the melody is beautiful,which is conducive to rap.The third section analyzes the types of confrontation in sentence patterns.The fourth section analyzes the rhythm of the tonality of the lyrics in "Tian Yuhua",and divides the inter-sentence tonality and the intra-sentence tonality according to the pause relationship between sentences and sentences and words.Section5 is a summary of the content of this chapter.The third chapter is a research on the rhythm of the recurring sentence pattern in "Tian Yu Hua".This chapter is divided into three sections.The first section briefly reviews the development status of Huiming in Zhanghui’s novels in Ming and Qing Dynasties and the special features of Huiming in "Tian Yu Hua".The second section focuses on the analysis of the rhythmic characteristics of the return of "Tian Yu Hua".Each look of "Tian Yu Hua" is independent.There is no rhyme between each look,and it has nothing to do with the rhyme in the text.First of all,we will analyze the tie,mainly through the tie analysis of the idioms in each Hui,and then analyze the rule of tie.The confrontation is the most important feature of Huimu.The two clauses of Huimu are almost the same.The sentences are neat and rhythmic.The syllables of Huimu are divided according to the length of the sentence pattern and the closeness between the words,to summarize the features of each syllable of the Huimu.The third section is a summary of the above content.The fourth chapter is a summary,summarizing the content of the full text.Although "Tian Yu Hua" is simple in rhyme,all the vocals of more than one million words only rhyme with one rhyme.It is really not easy,and it is also very unique.At the same time,analyzing the rhythm of sing-sentence and back-sentence-sentence rhythm is helpful to comprehensively investigate the rhythm characteristics of "Tian Yu Hua",and then summarize the universal characteristics of the rhythm of the long storytelling rhyme,and feel the rhythm beauty of the storytelling.