Reform And Enlightenment Of Fu Baoshi’s Landscape Painting

This paper takes the concrete expression of Fu Baoshi landscape painting change,and explores the modern significance of his thought change and its influence and inspiration on later painting.China in the 20 th century in a period of turmoil,political system changes,a more open culture,art as a small branch of culture,should also find a suitable way out for the continued development of Chinese painting,in such a background,appeared a batch of proposed innovative painters,Fu Baoshi,he strives to change,break through the shackles of traditional,create a different brushwork and artistic conception,explore new ideas in Chinese painting,create a new brushwork change Body "bouldering Cun Cun".This variant is not made out of thin air,but on the basis of traditional development and development,is on the basis of deep understanding of the connotation of Chinese painting,form a personal art language symbol,the symbol with the modelling of Chinese painting and ink system,also in line with the character characteristics of Fu Baoshi,change the traditional center pen,break through the traditional emotional expression of line,to break pen Cun on the paper.This kind of pen has both passion and method,combining the change of thickness and the thick ink color on the picture,creating a far-reaching artistic conception for Fu Baoshi’s landscape painting art.Shi Tao’s "I use my method "," pen and ink as the times "," search Qifeng draft" and other artistic ideas to Fu Baoshi landscape painting transformation to provide the ideological basis,become the law of life.This article has carried on the concrete analysis in the Fu Baoshi landscape painting pen and ink,the chapter method.And elaborated its artistic transformation to the new Jinling painting school and the later generation landscape painting creation enlightenment and the influence.