Study On Fu Baoshi Landscape Painting Scenery Characters

There are very few close attention and analysis on landscape characters inthe discussion on landscape painting in history.The characters seem to be justan obscure parts of the landscape painting. But the figures of the DottedLandscape in the painter’s schema also have distinctive personal symbols andthe structural function.Landscape painters express their own and theirsubordinate social groups recessively by landscape characters and expressfeelings by other literatis’ own a way of life such as the party, farewell, fishingin landscape.Meanwhile, Figures also affected the style selection, mutation,schema changes of landscape painting for the artist. Fu Baoshi’s DottedLandscape Figures of landscape painting are beyond art concept.She is alifeless Artistic language from pen and ink language and a modeling languageitself.She points to our souls and spirits With a strong tension andenergy.Touches our souls.In fact, the tension of Artistic language itself isdecided by the own’s control capability.She will get beyond the thin conceptsometimes.It is main content to make a preliminary exploration and anlysis on dottedLandscape Figures of Fu Baoshi’s Landscape Painting It consists of fourparts,The first part, because there are many dotted Landscape Figures of FuBaoshi’s landscape painting in a variety of paintings.I have Classificationanalysis from the tea things, travelogue, farewell, sicy collections.The secondpart, It is an analysis of the charaters’ diversification of the Dotted LandscapeFigures of Fu Baoshi’s Landscape Painting from images of the traditionalcharacters to images after the founding of PRC.The third part, It is AestheticThought of the Dotted Landscape Figures of Fu Baoshi’s Landscape Painting,It dissects that Fu Baoshi’s early works are influenced by esthetics thought oftraditional literati’s painting.and figuues image changes because Fu Baoshi’slater works are influenced by esthetics thought of Mao Zedong.The fourth part,it is the brief summary of the paper.