A Study On The Horror Narrative Of The Literary Sketches In The Early Qing Dynasty

Terror is the eternal theme of human development.The history of human development is a process of constantly overcoming terror.Terror is deeply rooted in the brains of each of us.The horror content in literary works allows people’s inner fears to be vented and purify the soul.The narration of terror is one of the important narrative methods in the novels of the early Qing Dynasty.At present,the academic research on the horror narrative of the novels in the early Qing Dynasty presents scattered features and there is still room for excavation.The contents of the horror narrative of the novels in the early Qing Dynasty are complicated.From the theme,it can be divided into five themes: the theme of ghosts and victims,the theme of natural disasters and human beings,the theme of war trauma,the theme of propaganda and exploration.Among the five themes,ghosts and harmful persons are the main ones,accounting for more than half of the total articles,while exploration subjects account for the least,only two.Judging from the time narrative of the horror narrative of the novels in the early Qing Dynasty,it has the characteristics of generalization in the setting of story time,the proportion of time nightization is the largest;the grasp of time rhythm is relaxed,and highlight the sense of rhythm in the tense narrative rhythm.Judging from the spatial narrative of the horror narrative of the novels in the early Qing Dynasty,the static space expression of the novels in the early Qing Dynasty is very rich,and it tends to choose the places that people are familiar with as the place where the story takes place.In the dynamic space,there are two main ways of space conversion: direct conversion and indirect conversion.The multi-dimensional perceptual narrative of the narration of the novels in the early Qing Dynasty makes the narrative more exciting.The visual narrative lays the foundation for the terror atmosphere through the construction of time and space and the arrangement of horror images.The auditory narrative simulates the dialogue between the terrorist sources and the characters.The narration of music,the listening of characters,and the narration of horror narration have made the narration of horror more sensible.The tactile narrative has made the narration of horror more realistic from the relationship between man and ghost.The perceptual narrative of the horror narrative of the novels in the early Qing Dynasty is somewhat different from that of the Ming Dynasty: in the auditory narrative,the auditory narrative of the horror narrative of the novels in the early Qing Dynasty is more delicate in the psychological depiction of the characters;in the visual narrative,the horror narrative of the novels in the early Qing Dynasty is more detailed in the portrayal of the ghost image;in the tactile narrative,the horror narrative of the novel in the early Qing Dynasty is more diverse in the description of touch and the sense of touch.The early Qing Dynasty was in a special era of alternation between the old and the new,and the social environment was complex and changeable.The unique social environment makes the horror narrative of the novels in the early Qing Dynasty carry a variety of functions.The horror narrative of the novels in the early Qing Dynasty has three functions: the mission function,the catharsis function,and the warning function.The various functions carried by the horror narrative of the novels in the early Qing Dynasty have a great relationship with the policies,social and cultural backgrounds of the rulers,and the state of people’s lives.