Research On The Creative Techniques Of Yao Henglu’s "Chinese Folk Songs Acapella Collection"

"Chinese Folk Songs Acapella Collection" is the latest vocal work collection published by composer Yao Henglu.The whole set contains thirty-four choruses adapted from traditional Chinese folk songs.The composer arranges according to the characteristics of folk songs in various places,while preserving the original style of folk songs,starting from the style positioning,highlighting the characteristics of modern acoustics.This article takes thirty-four chorus music as the research object,through the analysis of chorus music creation techniques,condenses and summarizes the composer’s inheritance of traditional techniques and the fusion of modern techniques in vocal works,and concludes that the work presents classical Modern style.The full text is divided into four partsThe introduction mainly states the current research status of composer Yao Henglu’s works,the relevant research status of the adaptation of Chinese folk songs into choruses,and the current research status of a cappella works in China;The first chapter introduces Professor Yao Henglu’s life and art history,creative style and general situation,and summarizes the creative characteristics of "Chinese Folk Songs Acapella Collection" under the regional cultural background;The second chapter is the analysis of traditional techniques of "Chinese Folk Songs Acapella Collection",including four parts:The first section is a related analysis of the Chinese folk song prototype reference.The composer takes the principle of gradual change as the main idea,retains the basic musical form of the original folk song,uses the gradual change of melody and rhythm,and presents the theme and motivation fragments.The second section is related to the discussion of the music structure.Based on the principle of variation,it forms a variety of musical elements and forms a variety of musical elements.At the same time,it forms a different counterpoint timbre structure.The third section is related to the analysis of traditional Chinese and Western harmony,based on the difference of folk songs tonal music,to configure functional harmony or five-tone vertical harmony.The fourth section is the analysis of the diversified texture of the chorus.Starting from the characteristics of each folk song,comprehensive accompaniment is carried out in the form of the main tone texture or the main polyphonic "conformity",and the theme is constantly strengthened.The third chapter is the analysis of the application of modern techniques in the "Chinese Folk Songs Acapella Collection",including the following three aspects:The first section is the study of its pitch organization,including the use of polyphony with the same or different tonics;the second section is the use of modern techniques such as inconsistent intervals and polytonality in polyphonic organization of polyphony;the third section is in In the national context,the modern function and meaning of the words are reflected through onomatopoeia and semitone.The fourth chapter draws a conclusion,discussing the inheritance and dissemination of Chinese excellent traditional culture from the unaccompanied in the national rhyme to the modern style in the ancient rhyme,and concludes that the work is a "classical modern style"..The full text analyzes the relevant composition techniques and theories used in the "Chinese Folk Songs Acapella Collection",and summarizes how traditional Chinese folk songs are presented with a new look under the contemporary aesthetics,so as to demonstrate Yao Henglu’s excellent Chinese music creation.The dissemination and inheritance of traditional culture.At the same time,through the analysis of this collection of works,the relevant research on the regional insufficiency and incomplete types in the adaptation of Chinese folk songs into a cappella has been improved,and finally for the follow-up study of the scholars who adapted Chinese folk songs into a cappella.Some theoretical basis.