| At the end of the Qing Dynasty and the beginning of the Republic of China,under the influence of the idea of "strengthening foreigners to control foreigners" and the new cultural movement,learning advanced Western thoughts became an important way of social reform and development at that time.Returning to the country,a new type of educational concept was born.At this time,women also began to receive new school education,and a large number of oriental female artists began to participate in the exploration and practice of female subjective consciousness as independent,Guan Zilan(1903-1985)is a typical representative.After mastering the expression techniques and expression concepts of Western art,she started from the perspective of oriental women’s aesthetics to perform a fusion of Chinese and Western art,and constructed a form of artistic expression with great oriental aesthetic perception.Taking the female subject consciousness in Guan Zilan’s oil paintings as the starting point,and taking the upsurge of studying abroad in the 20 th century and the New Culture Movement as the research background,this paper expounds the social environment and the time background of the emergence of female subject consciousness in Guan Zilan’s oil paintings,and analyze its cause of formation and specific performance.On this basis,the paper studies the Oriental Female Artistic Language in the Oil Painting Art of Guan zi-lan,and analyzes the styles of her works from the early,middle and late ages,in order to form the overall cognitive aspect of Guan Zilan’s oil painting art.Finally,the influence of the female subject consciousness in Guan Zilan’s oil paintings on the development of Chinese Art Art and contemporary oil painting art is expounded,and the contemporary oil painting artists are urged to make clear the development vein of oil painting art,it constructs its own dimension of artistic creation and artistic thinking with the fusion of Chinese and Western artistic concepts. |
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