| In the existing research on "Singing the Emperor of Tang Dynasty" from the perspectives of linguistics,education,music,and ethnicity,in order to explore the reasons why the art of the Emperor of Tang Dynasty is loved by the Zhuang people and is listed as an intangible cultural heritage list The self-expression of its own value is presented in the main field composed of the administrative location,historical evolution,and population composition of Tiandong,Guangxi,through the Tang Emperor of the Zhuang ethnic group as a type of folk art.The specific text collected is used as the analysis object of the story content.Interpreting the connotation of "Tanghuang" from two aspects: Quyi and text.Using the methods of field investigation,interview and comparative analysis,analyze the different interpretations of the same subject by the Zhuang and Han people,and explore the formation and revealing significance of the Zhuang narrative art "Tang Huang".In this way,we can see some laws of Han-Zhuang literature exchange,communication,and blending,observe the Zhuang people’s aesthetic ability and appreciation mentality of mainstream literature and culture,and then see the historical process of Zhuang-Han ethnic communication and integration,and provide a way for different cultures to get along with each other.A paradigm with a certain constructive significance.At the same time,it also made some appeals and enlightening prospects for the contemporary development and inheritance of traditional folk art and the creation of local cultural business cards. |
