A Study On The Time Features Of Antique Artifacts In The Song Dynasty

The process of antique reconstruction in the Song Dynasty revolves around models and creation.The reason is its purpose of tracing ancient times carries people’s cognition of time and history in that era.In recent years,the research mainly focuses on their nature as images,but there is little in-depth study on their temporal functions.This paper is devoted to the study of the relationship between the models of antique artifacts and creations,and analyzes the evolution of such subjects in the art history,so as to confirm the method and purpose of observing and constructing time in the Song Dynasty.In order to observe the production of antique artifacts in this era comprehensively,the research object of this paper covers artifacts,images and documents,that is,materials from the Song Dynasty with antique intention and manufacturing practice of antiques.The author flexibly adjusts the positioning of models and creations,instead of clinging to the precise relationship between images and objects.This paper is divided into four parts.In the introduction,the significance of the selected topic,research methods and research categories are summarized.In the first chapter,we review the academic research of antique artifacts,sort out the fields of related works,and point out the direction of this paper;in the second chapter,we systematically list the research materials related to this paper,and classify them according to their forms,so as to distinguish the contents clearly in the following parts.In the third chapter,importance is attached to the molding process of antique objects.Sanlitu(Illustrations of the three ritual classics)and the artifacts mentioned follow the image samples and literature descriptions since the Han and Tang Dynasties.The correspondence between pictures and objects establishes the orderly relationship between the Song Dynasty and previous dynasties,and this structure is perfected and popularized,which affects the antique reconstruction of the whole Song Dynasty.Huangyou xin yue tuji(New illustrated record on music from the Huangyou reign)inherits the tradition of making things according to the ritual books,but at this time the discovery of antiquities provides support for the thought in the past three generations.And the conflict between Baohe Bell and Tuji(The Picture Book)stems from the difference of the theory of making antiques in the court.Emperor Huizong’s new ritual vessels accurately imitate the samples,and the relationship between them is direct and close.Antiquities collection enables the Song Dynasty and three generations before it to span time and continue in making antique objects.In the fourth chapter,Xuanhe Bogu Tu(Illustrations on a wide range of antiques from the Xuanhe reign-period)tries to verify the historical track by artistic laws by arranging antique images,but the author cannot summarize all the materials,but only establishes an incomplete and limited historical model.The clothes,cars,utensils and other subjects in Guiqu Laici Tu Juan come from the models of many times,which are used to construct the weather in the Jin Dynasty.The patchwork of the models also appears in the paintings of historical subjects such as Jin Wengong Fugu Tu and Shijing Tu in this period.The fifth chapter focuses on the creations gradually separated from the samples,and the visual features originally endowed with time are gradually untied from the ritual books and antiquities,especially commonly appearing on practical objects.Although there are many bronze objects,porcelain occupies the mainstream of folk antique making,which is often seen in cellars and tombs,and pottery and lacquerware are used in etiquette scenes in a small amount.Artisans no longer stick to copying samples,and the images of artifacts are transformed and applied to bronze mirrors,wall bottles and other timepieces,which are transformed into freely used decorative themes.The mystery of inscriptions has been erased,and their contents and calligraphy art have been paid attention to in the Ji Gu Lu(Collection of Ancient Records).However,with the development of epigraphy in the Song Dynasty,objects with inscriptions highlight the functions of specimens and decoration in Bogu Tu,Lidai Zhongding Yiqi Kuanshi Fatie and antique objects.