Study On The Application Strategy Of Hand Moulding Technique In Modern Ceramic Art Creation

With the 1950s,the clay walking society and the Otis pottery innovation movement broke out in Japan and the United States.Modern ceramic art as a new form of expression in modern art was born.With the modern ceramic art in the form of the usual people to break the impression of ceramic art "vessels" and get rid of the shackles of practicality,its form of expression is more free and diversified.And from the perspective of the development of modern ceramic art,Hand Moulding Techniques in the development of modern ceramic art from the start occupies a pivotal position,it is both in the United States Otis ceramic core revolutionary forces of revolution-Otis group work or walk in represented by Yagi Kazuo mud club group works have appeared quite profound,In the 1980s,the concept of modern pottery was introduced into China and the modern pottery in China began to flourish.In a period of time,the sculpture phenomenon of pottery also became the mainstream trend of the creation of modern pottery in China.From this we can see that the Hand Moulding Technique is widely used in modern ceramics.However,in the field of modern pottery,there are very few studies specifically on Hand Moulding Technique.On the one hand,it may be because Hand Moulding Technique,as a creative technique born in sculpture art,is stuck in an awkward position between modern pottery and sculpture art.On the one hand,although there are similar studies in the field of modern ceramics,the concept of Hand Moulding Technique has not been refined,leading to the dilemma that although it is widely used,there are few studies on it.Therefore,it is imperative to study the Hand Moulding Technique in the field of modern ceramics.The research of this paper focuses on the application strategy of Hand Moulding Technique in modern ceramic art.First,it hopes to promote the attention of modern ceramic art in the research and development direction of modeling theory,and second,it hopes to re-examine the influence of creation process on the aesthetic composition of modern ceramic art from the perspective of creation technique.Therefore,the study of the application strategy of Hand Moulding Technique in modern ceramics will be conducted from the perspectives of instrumentalism and ontology to analyze the aesthetic value of Hand Moulding Technique.Finally,through this kind of research,we can re-examine the interpretation of mud in modern ceramics.This paper consists of five chapters.The first chapter mainly defines and distinguishes the two main concepts of modern pottery and Hand Moulding Technique,and analyzes the application of Hand Moulding Technique in modern pottery and the form of aesthetic expression The second chapter focuses on the Hand Moulding Technique itself.First,it analyzes the directness of the Hand Moulding Technique in the creation practice.Then,it discusses the rationality of the study on the aesthetic value of the Hand Moulding Technique by sorting out the related studies on the technical non-neutrality.Finally,based on the different application and aesthetic perspectives of Hand Moulding Techniques in the practice of creation,the instrumental and ontological characteristics of Hand Moulding Techniques are briefly analyzed.Chapter Three and Chapter Four respectively analyze the application strategies of Hand Moulding Techniques in the modern ceramic art creation practice from the perspective of instrumentalism and ontology with specific cases.The fifth chapter focuses on clay--the application strategy of the unity of noumenon and instrumentality of Hand Moulding Technique in modern ceramic art creation,and reexamines and discusses the "clay" of modern ceramic art from the perspective of aesthetic expression of the unity of noumenon and instrumentality of Hand Moulding Technique in modern ceramic art creation.